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Honoré-Victorin Daumier |
Honoré-Victorin Daumier (on-or-ay veek-tor-an dough-me-ay) began his artistic career as an artist painting Biblical and mythological scenes. By the middle of the nineteenth century, however, he began to focus on the world around him, stating that, "one must be of oneĚs own time." For this reason, he (along with Gustave Courbet) is put into the art historical category called Realism, meaning that he chose subject matter from the real world and real life.
Daumier made his primary living through caricatures and cartoons of the social and political world of his times, a practice that sometimes landed him in jail. He preferred painting, but his representations of everyday life were not as popular as his cartoons. The paintings are more serious and reflect his interest in all levels of society. Laundress on the Quai d'Anjou reflects a scene he saw every day outside his apartment on the Ile St. Louis: women with their children and bags of laundry climbing or descending the stairs that led to the laundry boats on the Seine River. Although he showed laundresses in several paintings, Daumier never portrayed them actually washing the clothing. He painted them instead struggling up or down the stairs with their heavy loads of wet laundry, or fighting the strong wind that often blew along the docks.
In this painting, the woman helps her child, who carries the laundry paddle, with one hand. Under her other arm she holds the bundle of clean, wet clothes. The two figures are unidentifiabletheir features are hidden, and their bodies are silhouetted against the lighted forms of the buildings across the river. The dreary and hard life they lead is symbolically contrasted with the easier, more privileged life of the people living in the bright, large houses. The woman is meant both to be realisitic and to serve as a symbol; although she bears the burdens of a poor life, she will survive.
Mariann Smith