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Amedeo Modigliani |
Unlike Jacques-Louis David, who painted his uncle, Amedeo Modigliani (ah-muh-day-oh mo-dee-lee-ah-nee) represents an anonymous young girl. Modigliani's painting style is very recognizable: figures are characterized by the elongation of the neck, the oval shape of the head, and the graceful lines of the body. Settings are sparse, as can be seen in the background of this painting; there is just a hint of a room with a tile floor and blue-gray walls.
The title of the painting identifies the woman as a servant, and everything about the composition emphasizes that role. She wears a dark dress with a white collar, plain shoes, and a modest hair style. She stands with her head tilted and hands folded, as if waiting patiently for instructions. Her placement in a corner further emphasizes her subservience. Her eyes are blank, which takes away her individuality and personality; the fact that they were painted in one of the colors found in the wall is perhaps also significant.
In spite of her role in society, however, there is a certain dignity to her figure. Modigliani achieved this sense of quiet nobility through the use of color and line to unify the composition. The curved lines and repeated and overlapping oval shapes create a gentle rhythm that gives the servant girl a certain softness and grace. The colors are also subtly expressive, with blues and grays accented by the white of the collar, the red of the floor, and the golden glow of her skin.
Mariann Smith and Nancy Spector