NOTES

1. Olafur Eliasson quoted in “Olafur Eliasson Interview,” Rochelle Steiner, Wonderland (The Saint Louis Art Museum, 2000), p. 57.

2. Knode, Marilu, “Uta Barth in Conversation with Marilu Knode,” Artlies Contemporary Art Magazine, (Houston, Texas), June/July 1995, pp. 30-32.

3. Webster’s II: New College Dictionary (Boston: Houghton Mifflin Company, 1995).

4. James Rondeau, Associate Curator of Contemporary Art, The Art Institute of Chicago, quoted in Leslie Camhi, “Lifting the Veil,” Artnews, (New York), Feb. 2000, p. 150.

5. Term coined by Albright-Knox Art Gallery Curator Douglas Dreishpoon to describe Essenhigh’s work and the title of an exhibition organized by Dreishpoon, American Landscapes: Recent Paintings by Inka Essenhigh, New Room of Contemporary Art, Albright-Knox Art Gallery, Nov. 20, 1999 – Jan. 2, 2000.

6. Inka Essenhigh quoted in Symposium Transcription, Landscape at the Millennium: Points of View, Nov. 21, 1999, Albright-Knox Art Gallery, Buffalo, New York

7. Hiroshi Sugimoto as quoted in Ann Wilson Lloyd, “The Hall of Mirrors Meets the House of Wax,” New York Times, Arts and Leisure, Sunday, Feb. 11, 2001, p. 39.

8. Ibid.

9. Doris Salcedo quoted in Neal Benezra and Olga M. Viso, Distemper: Dissonant Themes in the Art of the 1990s, (Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1996), p. 86, from Bill Stamets, “If The Shoe Fits,” In These Times, (Chicago), Apr. 3, 1995, p. 10