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The Albright-Knox Art Gallery has a special relationship with abstract art. The Gallery was one of the first art institutions to collect and exhibit this ground-breaking art form in the 1920s, and the Gallery continued to do so with outstanding vigor, passion, and courage throughout the twentieth century. Now, at the beginning of the twenty-first century, the Albright-Knox Art Gallery presented Extreme Abstraction, an exhibition that investigated the continuing vitality of abstract art and this institution’s remarkable relationship with it.
Ingrid Calame (American, born 1965).
Secular Response 2A.H., 2004.
paint on Mylar
Dimensions variable: each mylar panel 12ft. 4 in. x 5ft. (3.76 x 1.53m).
Installation at Kunstverein, Hanover, Germany.
Courtesy the artist and James Cohen Gallery, New York.
Image courtesy Raimund Zakowski
This exhibition was made possible through the generous support of The John R. Oishei Foundation, 
, and the following sponsors:
Anonymous
Charles W. and Penny Banta
Collins & Maxwell, L.L.P.
Mr. and Mrs. Richard Dirickson
Judge and Mrs. John T. Elfvin
Mr. and Mrs. Peter B. Flickinger
Agnes Gund and David Shapiro
Michael and Roberta Joseph
Kevin W. and Karen Kennedy
The Seymour H. Knox Foundation Inc.
Dolly and Herbert Ladds, Jr.
Rosina Lee Yue and Bert Lies, Jr.
Norman Mack II
Nancy and Robert Magoon
Moog Inc.
Joann and Gifford Phillips
Deborah Ronnen
Mr. and Mrs. Barclay Simpson
Howard and Leslie Zemsky