American, born Latvia, 1939
Two-plate, one-color mezzotint on Hahnemuhle Copperplate bright white paper, edition 1/30
26 1/4 x 35 inches (66.7 x 88.9 cm)
Bequest of Mortimer Schiff, by exchange and Gift of Mrs. Richard J. Sherman, by exchange, 2010
Rendering images that oscillate between the micro- and macrocosmic worlds, Vija Celmins has spent most of her career rendering the universals in nature: ocean waves, shells, fields of stones, spiderwebs, desert and moon floors, and night skies. Objects of contemplation, Celmins's paintings and drawings (and, occasionally, sculptures) depict all-over patterning in meticulous trompe l’oeil, fluctuating between abstraction—where the eye sees only patterns, dots, curves, and waves—and representation—where the image of the web or the ocean wave, for example, emerges. While she has been depicting such imagery repeatedly for decades, her earliest paintings, done in the mid-1960s while a student in Los Angeles, were of, according to the artist, "deadpan" still life, such as a lamp, a hot plate, or a television set: objects emitting a dull glow against a drab gray background. These were followed by gray paintings based on news photographs of World War II bombers and fighter planes. Somehow, it's not surprising that her ability to imbue such mundane or banal objects with utterly uncanny and melancholy qualities transferred into her ability to repetitively and obsessively render surfaces that appear to have uniform, overall qualities, yet evoke such profound, meditative, and emotionally powerful sensations.
Celmins has said that the images in this series of works are a "record of some intense looking, something internal passing from me to it, from it to me . . . a disappearance of time, a feeling of innocence, of silence. In the work I like the best, these qualities remain." Looking closely at an image created by Celmins evokes the depths of the universe itself: stars become holes become pin pricks become specks of dust, webs become lines become the dust of the cosmos, matter becomes anti-matter becomes space becomes emptiness. Her work, like life, is about everything, and nothing at all.
Works on Tour
Please note that many of our most popular works, featured in this summer’s exhibition Sincerely Yours: Treasures of the Queen City, will be on tour through fall 2015. We hope you will come and find your new favorites while these works are out serving as ambassadors for Buffalo!
CALL AHEAD TO CONFIRM
Installation information is subject to change. If you are planning to visit the museum to see a specific work of art, please call us first to confirm that it will be on view.
SEARCH OUR FINE ART COLLECTION
The Albright-Knox has more than 6,500 works in its Collection. Search Our Entire Fine Art Collection