Lesson Plans
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A Wall in the Middle GroundFor Grades 3–12
English Language Arts; Visual Arts
Featuring Paul Gauguin's The Yellow Christ, 1889
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To talk about narrative paintings (those that tell a story), we often divide images into three sections—the foreground, the middle ground, and the background. The foreground refers to the space closest to the viewer, the background is the area farthest away, and the middle ground is everything in between. This lesson plan explores these concepts and includes discussion exercises and creative writing activities. -
Alexander Calder’s Visual Poetry: Mobiles and StabilesFor Grades K–12
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Alexander Calder's The Cone, 1960
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Students will observe Alexander Calder’s sculpture The Cone, learn the meaning of the terms stabile and mobile, and create a personal interpretation of The Cone through a creative poem. -
Art for RememberingFor Grades K–12
English Language Arts; Visual Arts
Featuring Robert Rauschenberg's Ace, 1962
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Robert Rauschenberg, one of the twentieth century’s most prolific and well-known artists, lived in New York City during the 1950s and 1960s. This lesson plan explores the invention of what he called “combines”—semi-abstract compositions combining Abstract Expressionist–style painting with real world objects he collected during walks through the city. -
Basketball Drawing!For Grades K–12
English Language Arts; Visual Arts
Featuring David Hammons's Basketball Drawing, 2001
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Students will become familiar with a work of art by David Hammons, make a drawing by harnessing the actions of other people, and discuss ideas about authorship and open-ended narratives. -
Blue Sky, Blue WallFor Grades 3–5
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Jim Dine’s Child’s Blue Wall, 1962
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Jim Dine’s Child’s Blue Wall combines sculpture and painting. It is both a realistic depiction of a child’s bedroom and an abstract painting of a night sky. This lesson plan explores how Jim Dine accomplished these two ideas in the same work of art, and gives students a chance to try making similar works themselves. -
Can It!?For Grades 3–5
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Andy Warhol’s 100 Cans, 1962
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Pop artists used consumer products, advertising, and popular culture icons as the major source for subject matter in their art. Between 1962 and 1967, Andy Warhol painted soup cans, both individually and in groups. The Gallery’s work 100 Cans is one of the last images he painted by hand before turning to silkscreen printing methods. This lesson contains activities that teach elementary math concepts, as well as the visual arts concept of multiple images. -
Color that MOVES!For Grades 6–12
English Language Arts; Social Studies; Visual Arts
Featuring Bridget Riley's Sequel, 1975
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Students will become familiar with a work of art by Bridget Riley, learn about the optics of complementary colors, and use complementary colors to create an artwork that evokes optical effects. -
Compare and Contrast: It’s All in the Details
For Grades 4–12
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Three Sculptures of Horses
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Students will learn about the artists Edgar Degas, Louise Nevelson, and Marino Marini, compare and contrast three sculptures of horses, and compare and contrast three sculptures of horses to a realistic horse. -
Create Your Own Sculpture
For Grades 4–12
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Three Sculptures of Horses
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Students will create a Edgar Degas, Louise Nevelson, or Marino Marini–inspired animal sculpture. -
Culture CollageFor Grades 4–12
Math, Science, and Technology; English Language Arts; Visual Arts
Featuring Jirí Kolár's Cycladic Heads, 1976
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Students will learn about Greek culture and its influence, and create a Jirí Kolár–inspired collage.
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If you are planning to visit the Gallery to see a specific work of art, please call us first to confirm that it will be on view: 716.882.8700.
