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Past Exhibitions

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    • Art and Literacy (Education Exhibition)

      April 28–May 27, 2015

      The art department of the Lake Shore Central School District proudly displays the artwork of their kindergarten through twelfth grade students. Students have created unique works of art that reflect the theme “Art and Literacy.”

    • Eye to Eye: Looking Beyond Likeness

      March 8–May 17, 2015

      This comprehensive exhibition of captivating depictions from the late eighteenth century to post-modernity explores the evolution of Western portraiture by delving into the complex network of social conventions and artistic practice that have shaped the genre. 

    • Overtime: The Art of Work

      March 8–May 17, 2015

      From its sweat, danger, and drudgery, to its heroism, daring, and pride, the labor of others has fascinated artists throughout the modern period. Inspired by works in the Albright-Knox’s Collection, this exhibition creates connections between art and artists from the late eighteenth century to the present.

    • David Adamo

      January 22–May 17, 2015

      This exhibition features an installation of Adamo's small sculptures in the Gallery for Small Sculpture as well as a new group of large-scale wood-carved sculptures in the Sculpture Court. 

    • Arturo Herrera: Little Bits of Modernism

      December 12, 2014–April 5, 2015

      Selected from the Albright-Knox Art Gallery’s substantial holdings by Arturo Herrera (Venezuelan, born 1959), this exhibition gives prominence to the artist’s multifaceted practice. 

    • The Nature of Learning (Education Exhibition)

      February 3–February 22, 2015

      This exhibition represents the desire of Bilingual Center, School 33 to publicly introduce the creativity, expression, and insights of children in pre-k through eighth grade as they question, explore, and learn about their surrounding world.

    • Imperfections By Chance: Paul Feeley Retrospective, 1954–1966

      November 9, 2014–February 15, 2015

      This exhibition will flesh out the full spectrum of Feeley’s creative output: early Abstract Expressionist–inspired paintings from the mid-1950s, organic figure-ground compositions from the late 1950s and early 1960s, and the diagrammatical compositions that preoccupied him from 1962 until 1966.