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Past Exhibitions

    • Bruce Jackson: Cummins Wide

      January 23–May 10, 2009

      This exhibition features fifty-three extraordinary Widelux images of Cummins Prison Farm, taken more than twenty-five years ago by Buffalo-based photographer, filmmaker, and folklorist Bruce Jackson.

    • From Tusk to Tail: Animals and Art

      August 29, 2008–January 30, 2009

      From Tusk to Tails: Animals and Art represents a cross-section of birds and beasts from around the world and is the second exhibition organized in partnership with the Buffalo Museum of Science.

    • Op Art Revisited: Selections from the Albright-Knox Art Gallery

      July 18, 2008–January 25, 2009

      Op art, also know as “Optical art,” refers to the work of a group of abstract painters in the early 1960s who—under the direction of artists Richard Anuszkiewicz, Bridget Riley, Julian Stanczak, and Victor Vasarely—utilized parallel lines, concentric circles, and electric colors to create works that give the visual effect of afterimages and illusion of movement.

    • Works on Paper: The Natalie and Irving Forman Collection

      August 15–November 30, 2008

      This exhibition is the first time Natalie and Irving Forman's brilliant collection of works on paper has been exhibited en masse. It reflects the remarkable evolution of the Forman Collection, which today comprises wonderfully unique and, at times, experimental abstract works.

    • REMIX: Recent Acquisitions, Works on Paper

      May 1–August 1, 2008

      The expression “works on paper” corresponds to a completely different set of rules for making art, which extends beyond traditional media and abolishes the assumption that art made on or of paper occupies merely a complementary role to painting and sculpture. For decades now, artists have defied the simplistic notion of basic drawing by utilizing multiple techniques and diverse media to create works on paper.

    • REMIX: Recent Acquisitions

      April 11–July 28, 2008

      An active approach to collecting is at the heart of any museum whose mission and vision is to acquire and exhibit contemporary art. Since its original inception as the Buffalo Fine Arts Academy in 1862, the Albright-Knox Art Gallery has consistently been dedicated to collecting the “art of our time,” and the Permanent Collection has continued to grow in significant ways. Remix Recent Acquisitions presents an overview of the Albright-Knox Art Gallery’s collecting habits over the course of the past five years.

    • Jennifer Steinkamp

      March 14–June 29, 2008

      Jennifer Steinkamp, a nationally touring retrospective exhibition organized and circulated by the San Jose Museum of Art, offers a comprehensive view of one of the most important and prolific female video and new media artists of our time. Steinkamp creates stunning 3-D installations that explore architectural space, motion, and the phenomenon of human perception.

    • REMIX: Color and Light

      December 21, 2007–May 4, 2008

      Color is powerful, yet quixotic. As a result, it boasts a fascinating history that is constantly being rewritten to reflect the specific concerns and ideologies of the day. In large part the most insightful thoughts on color come from artists themselves. Not only are these ideas expressed in their art but also in their writings.

    • In the City: Works on Paper from the Collection

      January 18–April 6, 2008

      Artistic interpretations of “the city” entail a fascination with architecture, industry, and the vibrancy of metropolitan life. This selection of works on paper offers a unique portrait of modern civilization by revealing facets of urban living through an exploration of anonymity, industry, commerce, and life in the steel jungle.

    • Figuratively Speaking: Sculpture from the Collection

      November 30, 2007–March 2, 2008

      This exhibition brings together works from both the Gallery’s Permanent Collection and the Buffalo Museum of Science, exploring a multitude of approaches to the sculpted human form.