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Past Exhibitions

    • The Panza Collection: An Experience of Color and Light

      November 16, 2007–February 24, 2008

      The Panza Collection: An Experience of Color and Light will include more than seventy works of art from the Panza Collection, which is now dispersed in Varese, Lugano, New York, and Los Angeles. In consultation with Giuseppe Panza di Biumo, whose vision has guided the project from the start, Gallery Director Louis Grachos and Chief Curator Douglas Dreishpoon have selected the objects and artists to be featured.

    • Drawing Architecture: The L.J. Cella Collection

      September 27, 2007–January 6, 2008

      An important part of the creative process for architects is sketching. The sketch, or plan, is the way architects express their ideas and develop their concepts, whether they begin as ink squiggles on napkins, colorful pastels on paper, or beautifully rendered graphite on vellum. Drawing Architecture showcases the work of mid-century and contemporary architects, landscape architects, artists, and designers who are represented in the collection of San Francisco Bay Area resident L.J. Cella.

    • A New Installation by James Turrell

      January 1–December 31, 2007

      James Turrell isolates a central component of everyday experience - light. His installations grow out of a radically simple goal - to let the viewer experience light as directly as possible. In indoor installations such as Gap from the “Tiny Town” series, 2001/2006, he lets light take on its own otherworldly quality, creating a contemplative space where one experiences a single plane of illuminated color.

    • REMIX The Collection

      November 10, 2006–November 25, 2007

      The latest installation of REMIX The Collection continues to offer Gallery visitors new and exciting ways to experience the Gallery's permanent collection. This thematic exploration of beloved favorites, as well as some new and exciting additions, reinforces the vast depths and relevance of art.  One of the themes highlighted is “Pop Post Pop,” which explores the Gallery’s pop art collection and the movement's renaissance during the 1970s and 1980s.

    • Beyond/In Western New York 2007

      August 17–October 28, 2007

      This exciting invitational exhibition featured the work of artists from Western New York, Central New York, Southern Ontario, Northeastern Ohio, and Northwestern Pennsylvania.

    • Matthew Barney: Drawing Restraint 9

      June 27–October 21, 2007

      Matthew Barney is heralded as the most influential American artist of his generation for his epic, ravishing, eccentric, and all-consuming work. His films and the sculpture and photographic series that derive from them are biological, mythological, and historical. Drawing Restraint 9 follows his Cremaster Cycle, which was screened, in part, at the Gallery in February 2004, by looking back to a central tenet of his creative vision, an idea that grew out of Barney’s early experience as a athlete: form emerges through struggle with resistance.

    • Ken Heyman: Pop Portraits

      June 15–August 26, 2007

      While Ken Heyman’s name may not be instantly familiar to most, his body of photographic work is extensive and has penetrated printed media and popular culture for the past fifty years. As a photographer for Magnum Photos (an international photographic organization) Heyman shot more than 150 photojournalist assignments for Life magazine and is perhaps best known for his lengthy, twenty-year collaboration with well-known anthropologist Dr. Margaret Mead.

    • Francis Bacon: Paintings from the 1950s

      May 4–July 29, 2007

      The Albright-Knox Art Gallery is proud to host Francis Bacon: Paintings from the 1950s, an exhibition that focuses on what is perhaps the most creative period of Bacon’s career. Curated by Michael Peppiatt, a personal friend of Bacon and author of the exhibition catalogue and a biography, this project is organized by the Sainsbury Centre for Visual Arts at the University of East Anglia, Norwich. The exhibition is centered around a group of thirteen paintings from the collection of Sir Robert and Lisa Sainsbury, prominent art collectors, patrons, and friends of Bacon.

    • Collective Identity: Expressionism to Realism and the Art of Printmaking in Germany

      February 21–May 27, 2007

      Albrecht Dürer, who is considered one of the greatest printmakers of all time, produced both woodcuts and engravings with a level of detail that is virtually unsurpassed. Dürer, among other German printmakers of the sixteenth century, was an enormous influence on early-twentieth-century German artists who were concerned with such issues as the atrocities of war, death, the difficulty of city life, and man's relationship with nature during a period of social upheaval and uncertainty in pre- and post-World War I Germany.

    • Surface Matter: Collage from the Collection

      November 17, 2006–February 11, 2007

      While many artists have worked solely in the medium, collage has failed to rise to the popularity of drawing, painting, and sculpture. Surface Matter reveals nearly one hundred years of collage and exemplifies how it infiltrated a century of art making and continues to relate to the artistic expressions of the twenty-first century.