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Moine italien assis, lisant (Seated Italian Monk Reading)

Public Domain

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Public Domain

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Moine italien assis, lisant (Seated Italian Monk Reading), ca. 1827

oil on canvas

support: 15 3/4 x 10 3/4 inches (40 x 27.3 cm); framed: 24 x 19 x 3 1/2 inches (60.96 x 48.26 x 8.89 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

George B. and Jenny R. Mathews Fund, 1964

1964:11

More Details

Inscriptions

seal / frame back / Vente Corot
stamp / front, lower left / Vente Corot

Provenance

until 1875, collection of the artist;
Corot atelier sale, Hôtel Drouot, Paris, no. 306 [sold for 150 francs], purchased by J. F. P. Berthelier, Paris, May 29-30, 1875;
J. F. P. Berthelier sold at auction, Galerie Georges Petit, Paris, no. 32. May 9, 1889;
[provenance unknown, 1889-1928];
Wildenstein & Co., New York, 1928;
purchased from Wildenstein & Co. by A. Conger Goodyear, January 1928;
presented by A. Conger Goodyear to the Albright Art Gallery, January 1943;
allocated to the A. C. Goodyear Fund and purchased by the Albright-Knox Art Gallery, 1964

Class

Paintings (visual works)

Work Type

Oil painting (visual work)

This information may change due to ongoing research. Glossary of Terms

As a young artist, Jean-Baptiste-Camille Corot traveled to Italy to study the Renaissance masters, a well-established practice among his peers. From 1825 to 1828, he spent his time there feverishly sketching and painting, sending two works back to Paris in 1827 for his first showing in the Salon. Corot also traveled extensively throughout his native France, as well as England, The Netherlands, and Switzerland, where he spontaneously painted vibrant, light-filled studies of the landscape. During the winter, Corot retreated indoors, where he worked in a more formulaic style and composed paintings of idealized pastoral settings based on classical themes. This intimate unfinished portrait depicts a leitmotif to which Corot often returned: the contemplative monk. The figure, who wears a simple brown robe and wooden clogs or sabots, is engrossed in the act of reading. The velvety tones and yielding light of paintings such as this one established Corot as an early bridge between the Neoclassical and Impressionist movements.

Label from Monet and the Impressionist Revolution, 1860–1910, November 15, 2015–March 20, 2016

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