
Reed Anderson (American, born 1969). Midnight Peacock Music, 2006. Acrylic on cut paper, 105 x 96 inches (266.7 x 243.8 cm). Collection Albright-Knox Art Gallery, Buffalo, New York; James S. Ely Fund, 2010 (2010:11). © 2006 Reed Anderson.
© Reed Anderson
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Reed Anderson
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Reed Anderson
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.



Reed Anderson
American, born 1969
Midnight Peacock Music, 2006
acrylic on cut paper
sheet: 105 x 96 inches (266.7 x 243.84 cm); framed: 107 1/4 x 99 1/4 x 2 3/4 inches (272.42 x 252.1 x 6.99 cm)
Collection Albright-Knox Art Gallery, Buffalo, New York
James S. Ely Fund, 2010
2010:11
More Details
Inscriptions
Provenance
the artist;Pierogi, Brooklyn, New York;
June 29, 2010, purchased by the Albright-Knox Art Gallery, Buffalo
Class
Work Type
Information may change due to ongoing research.Glossary of Terms
In his whimsical take on drawing, Reed Anderson combines the fragility of cut paper, the spontaneity of sketching, and the aesthetic of graffiti art on a monumental scale. His cacophonous imagery envisions a vibrant, patterned world. To create a composition such as Midnight Peacock Music, Anderson begins by drawing and painting, introducing multiple applications of media on the front and back of the paper. He then crumples, folds, and cuts out patterns in it, allowing color to bleed through, and later reuses the scraps from this process to create yet another generation of work. The results suggest strange and fictional narratives. Here, for example, a neon circular spray of feathers and flowers evokes peacock plumage or an oversized lace doily you might find at the Mad Hatter’s tea party. The messy, dynamic, and improvisational character of this work also conjures notions of a visual “urban symphony” in which the rules of traditional genres do not apply.
Label from Drawing: The Beginning of Everything, July 8–October 15, 2017
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