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Corazón de Roca con Sangre (Heart of Rock with Blood)

© The Estate of Ana Mendieta Collection, L.L.C.

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© The Estate of Ana Mendieta Collection, L.L.C.

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Ana Mendieta

American, born Cuba, 1948-1985

Corazón de Roca con Sangre (Heart of Rock with Blood), 1975

Super-8mm film transferred to high-definition digital media, color, silent

Edition: 1/6

running time: 3 minutes, 3 seconds

Collection Albright-Knox Art Gallery, Buffalo, New York

By exchange: Sherman S. Jewett Fund, Gift of the Winfield Foundation, Bequest of John Mortimer Schiff and Gift of Thomas Robins, Jr. in memory of Louisa Robins, 2014

2014:5.1

Collection Highlight

More Details

Inscriptions

no inscriptions

Provenance

estate of the artist;
Galerie Lelong, New York;
sold to the Albright-Knox Art Gallery, May 20, 2014

Class

Motion pictures

Work Type

Artist's film

This information may change due to ongoing research. Glossary of Terms

Born into a politically prominent Cuban family, Ana Mendieta was sent to live in Iowa at the age of 13 as part of Operation Peter Pan, a controversial CIA project that relocated 14,000 Cuban children to the United States, without their parents, during the height of the Cold War. An immigrant unable to identify with any specific place as her true home, she began in the 1970s to make performance-based sculptural work with her body in the natural environment. As complex as they are hauntingly beautiful, these “earth-body sculptures” feature primitive materials such as earth, fire, water, and blood. Mendieta documented her performances, which often incorporated aspects of magic and religion, with photography and video. Powerful and psychologically charged, her work, which often includes womb-like impressions carved by the artist into the earth, resonates with the deepest of feminist issues. This work, along with Birth (Gunpowder Works), are part of Mendieta’s “Silueta (Silhouette)” series. For works in this series, she created ephemeral interventions in the landscape at sites in Iowa and Mexico that are eventually eradicated by the elements. 

Corazón de Roca con Sangre (Heart of Rock with Blood) is one of the earliest works Mendieta made along the Iowa River. She first dug a silhouette of her body into the mud of the riverbank. The short film begins with the naked artist kneeling beside the sculptural intervention in the landscape and carefully placing a rock into the chest area of the cavity. Then, evoking a sacrificial gesture, she pours over the rock a mixture of blood and tempera paint. As a final act, Mendieta descends into the shallow silhouette and lies facedown. This work, and the entire “Silueta” series, conveys a universal language that personifies the primordial relationship between humanity and the natural world.

Label from One Another: Spiderlike, I Spin Mirrors, March 7–June 1, 2014

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