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Audrey Flack

American, born 1931

Banana Split Sundae from Presidential Portfolio, 1980

embossed silkscreen

Edition: 96/150 plus 30 artist's proofs

sheet: 28 1/8 x 26 1/4 inches (71.44 x 66.67 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Gift of Democratic National Committee, 1982

P1982:4.2

More Details

Inscriptions

signature; edition notation / lower right / Audrey Flack 96/150

Class

Prints (visual works)

Work Type

Screen print
Embossed print

This information may change due to ongoing research. Glossary of Terms

Audrey Flack’s lush textures and densely packed compositions of meticulously rendered objects serve as modern versions of the work of the seventeenth-century Dutch still life painters. Frequently, she employs the symbolism of vanitas (a still life that alludes to the vanity of worldly pleasures and to life’s transient nature) but infuses it with contemporary context. Flack is a pioneer in the genre of Photorealism and best known for her depictions of indulgence, excess, and beauty that are at the same time poignant symbols of desire, passion, and life’s journeys. Banana Split Sundae is a print based on an airbrushed painting of the same name that Flack made in 1974. Its decadent content is evocative of childhood wonder and impulse; yet it is also a reminder of the self-control we are expected to exercise in adulthood.

Label from For the Love of Things: Still Life, February 27–May 29, 2016

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