Lucio Pozzi

American, born Italy, 1935

A Straight Line Is as Good as a Wobbly One to Make a Painting from the portfolio Artifacts at the End of a Decade

A Straight Line Is as Good as a Wobbly One to Make a Painting from the portfolio Artifacts at the End of a Decade, 1981

Artwork Details

Materials

offset lithograph with hand-painting

Edition:

96/100 plus 50 artist's proofs

Measurements

sheet: 14 x 17 inches (35.56 x 43.18 cm)

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1983

Accession ID

P1983:19.33

Object Classifications:

Prints

Work Type:

Offset lithograph

Information may change due to ongoing research. Glossary of Terms

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Artifacts at the End of a Decade, 1981

Harry Anderson, Laurie Anderson, Charles Arnold, Jr., John Ashbery, Bern Boyle, Stephanie Brody-Lederman, Lucinda Childs, Jane Comfort, Robert Crumb, Daniel Owen Dailey, Jimmy De Sana, Evergon, Sandi Fellman, Benno Friedman, Martha A. Holt, James Hong, Betsey Johnson, Sonia Katchian, Christopher Knowles, Robert Kushner, Sol LeWitt, Jacqueline Livingston, Joan E. Livingstone, David Lusby, Joan Lyons, Joseph Masheck, Judith McWillie, Joan Nelson, Bea Nettles, Kingsley Parker, Harvey Pekar, Richard Olson, Lucio Pozzi, Donald Rodan, Martha Rosler, Michael Sorkin, Soul Artists, Stanley Stellar, Michelle Stuart, Benedict Tisa, Curtis Van, Philip Warner, Wenda von Weise, Robert Wilson, Visual Energy

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Harry Anderson

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Jimmy De Sana

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Evergon

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Sandi Fellman

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Benno Friedman

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Visual Energy

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Martha A. Holt

Untitled from the portfolio Artifacts at the End of a Decade, 1981

James Hong

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Sonia Katchian

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Christopher Knowles

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Robert Kushner

Private Property from the portfolio Artifacts at the End of a Decade, 1981

Laurie Anderson

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Betsey Johnson

Spring Chicken from the portfolio Artifacts at the End of a Decade, 1981

Stephanie Brody-Lederman

A Square for Each Day of the Seventies from the portfolio Artifacts at the End of a Decade, 1981

Sol LeWitt

Photographerposter Male/Mail Exhibition from the portfolio Artifacts at the End of a Decade, 1981

Jacqueline Livingston

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Joan E. Livingstone

Medicine Wheel from the portfolio Artifacts at the End of a Decade, 1981

David Lusby

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Joan Lyons

Preliminary Project for U. S. Babel-Tower Project from the portfolio Artifacts at the End of a Decade, 1981

Joseph Masheck

Circumschism from the portfolio Artifacts at the End of a Decade, 1981

Judith McWillie

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Joan Nelson

Untitled from the portfolio Artifacts at the End of a Decade, 1981

John Ashbery

Untitled from the portfolio Artifacts at the End of a Decade, published 1981

Bea Nettles

Perfect Bind from the portfolio Artifacts at the End of a Decade, 1981

Richard Olson

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Kingsley Parker

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Charles Arnold, Jr.

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Bern Boyle

Score for Dance #2 from "Dance" from the portfolio Artifacts at the End of a Decade, 1981

Lucinda Childs

Score from "Sign Story" from the portfolio Artifacts at the End of a Decade, 1981

Jane Comfort

Ridin' the Dog from the portfolio Artifacts at the End of a Decade, 1981

Robert Crumb, Harvey Pekar

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Daniel Owen Dailey

Triumph of the Peach from the portfolio Artifacts at the End of a Decade, 1981

Donald Rodan

On the Cusp of the 80s from the portfolio Artifacts at the End of a Decade, 1981

Martha Rosler

Communism Comes to the Coast/Warning: Art Can Be Dangerous from the portfolio Artifacts at the End of a Decade, 1981

Michael Sorkin

untitled from the portfolio Artifacts at the End of a Decade, 1981

Soul Artists

No image available,
but we’re working on it

Men Standing on the Street with me on Sunday, July 1, 1979 in Front of the Cock Ring Disco, N.Y.C. from the portfolio Artifacts at the End of a Decade, 1981

Stanley Stellar

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Michelle Stuart

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Benedict Tisa

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Curtis Van

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Wenda von Weise

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Philip Warner

Design for "Golden Windows" from the portfolio Artifacts at the End of a Decade, 1981

Robert Wilson

Other Works by This Artist

Artifacts at the End of a Decade, 1981

Harry Anderson, Laurie Anderson, Charles Arnold, Jr., John Ashbery, Bern Boyle, Stephanie Brody-Lederman, Lucinda Childs, Jane Comfort, Robert Crumb, Daniel Owen Dailey, Jimmy De Sana, Evergon, Sandi Fellman, Benno Friedman, Martha A. Holt, James Hong, Betsey Johnson, Sonia Katchian, Christopher Knowles, Robert Kushner, Sol LeWitt, Jacqueline Livingston, Joan E. Livingstone, David Lusby, Joan Lyons, Joseph Masheck, Judith McWillie, Joan Nelson, Bea Nettles, Kingsley Parker, Harvey Pekar, Richard Olson, Lucio Pozzi, Donald Rodan, Martha Rosler, Michael Sorkin, Soul Artists, Stanley Stellar, Michelle Stuart, Benedict Tisa, Curtis Van, Philip Warner, Wenda von Weise, Robert Wilson, Visual Energy
The Star and the Man, 1985

Lucio Pozzi
Hender, 1980

Lucio Pozzi
Where the Dolls escape, 1985

Lucio Pozzi
Untitled, 1974

Lucio Pozzi
Untitled, 1974

Lucio Pozzi
Double Eye, 1983

Lucio Pozzi

Collection Highlights

All Collection Highlights

Laura, 2012

Jaume Plensa
Numbers in Color, 1958-1959

Jasper Johns
The Anguish of Departure, 1913-1914

Giorgio de Chirico
Street in Meknes, 1832

Eugène Delacroix
Le Matin en Provence (Morning in Provence), ca. 1900-1906

Paul Cézanne
Les Falaises de Gréville (The Cliffs of Gréville), 1871-1872

Jean-François Millet
Bucolic Landscape, 1945

Milton Avery
June 4-52 (tableform), 1952

Ben Nicholson
Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow, 1940-1942

Piet Mondrian

Related People

Lucio Pozzi

A Straight Line Is as Good as a Wobbly One to Make a Painting from the portfolio Artifacts at the End of a Decade, 1981

Artwork Details

Materials

Edition:

Measurements

Credit

Accession ID

More details

Related Artworks

Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

The Ten Months of Red Might from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

On the Road from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Private Property from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Spring Chicken from the portfolio Artifacts at the End of a Decade, 1981

A Square for Each Day of the Seventies from the portfolio Artifacts at the End of a Decade, 1981

Photographerposter Male/Mail Exhibition from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Medicine Wheel from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Preliminary Project for U. S. Babel-Tower Project from the portfolio Artifacts at the End of a Decade, 1981

Circumschism from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, published 1981

Perfect Bind from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Score for Dance #2 from "Dance" from the portfolio Artifacts at the End of a Decade, 1981

Score from "Sign Story" from the portfolio Artifacts at the End of a Decade, 1981

Ridin' the Dog from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Triumph of the Peach from the portfolio Artifacts at the End of a Decade, 1981

On the Cusp of the 80s from the portfolio Artifacts at the End of a Decade, 1981

Communism Comes to the Coast/Warning: Art Can Be Dangerous from the portfolio Artifacts at the End of a Decade, 1981

untitled from the portfolio Artifacts at the End of a Decade, 1981

Men Standing on the Street with me on Sunday, July 1, 1979 in Front of the Cock Ring Disco, N.Y.C. from the portfolio Artifacts at the End of a Decade, 1981

Correspondences from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Untitled from the portfolio Artifacts at the End of a Decade, 1981

Design for "Golden Windows" from the portfolio Artifacts at the End of a Decade, 1981

Artifacts at the End of a Decade, 1981

The Star and the Man, 1985

Hender, 1980

Where the Dolls escape, 1985

Untitled, 1974

Untitled, 1974

Double Eye, 1983

Collection Highlights

Laura, 2012

Numbers in Color, 1958-1959

The Anguish of Departure, 1913-1914

Street in Meknes, 1832

Le Matin en Provence (Morning in Provence), ca. 1900-1906

Les Falaises de Gréville (The Cliffs of Gréville), 1871-1872

Bucolic Landscape, 1945

June 4-52 (tableform), 1952

Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow, 1940-1942

Related People