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Rat King Escape

© Willa Nasatir

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Rat King Escape

© Willa Nasatir

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Willa Nasatir

American, born 1990

Rat King Escape, 2017

chromogenic color print on panel, tacks

82 x 67 x 2 inches (208.28 x 170.18 x 5.08 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Pending Acquisition Funds, 2017

P2017:3.2

More Details

Provenance

the artist;
Chapter NY, New York;
sold to the Albright-Knox Art Gallery, May 16, 2017

Class

Photographs

Work Type

Chromogenic color print

This information may change due to ongoing research. Glossary of Terms

Boy, Rat King Escape, and Red Room all capture Willa Nasatir’s unique approach to staging, photographing, and rephotographing elaborate sculptural landscapes of her own creation. To make these works, Nasatir first assembles objects both common and unusual: copper tubing, a pair of broken eyeglasses, a motorcycle helmet, a baseball cap, a child’s chair, a rubber snake. She then complicates the composition by proping mirrors, bending mylar, and deploying scrims of extruded Plexiglas in the space between her constructions and camera. Every resulting image, no matter how surreal, is grounded in the artist’s studio-based practice and the city of New York. In fact, the window that can be glimpsed in the background of these photographs is a reflection of one in the artist’s Brooklyn studio. Each individual photograph is sourced from a memory or a narrative, whether something Nasatir experienced or a powerful scene encountered in another artist’s artwork or a film. However, her images do not tell set stories. Rather, the artist’s cobbling and filtering is a sleight of hand that unmoors her subjects from their origins. The resulting photographs call on us, as the photographs’ audience, to create our own storylines.
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