Karima Amin, storyteller and founder/director of Prisoners Are People Too, Inc., reflects on Hank Willis Thomas’s We The People.
Yuji Agematsu’s zip: 01.01.06 . . . 06.30.06 is an unconventional portrait of a very specific time and place: January 1 through June 30, 2006, in New York.
Educator Ebony Pope reflects on Njideka Akunyili Crosby’s “The Beautyful Ones” Series #5.
Chuck Tingley and Matt Grote's weego celebrates nostalgia for cartoons, video games, and other imaginative preoccupations of youth.
With Loud Tactile Painting, Yaacov Agam aimed to disrupt the traditional rules of the art museum.
With We Are Here, Buffalo-based graphic design firm White Bicycle transformed a street map of the mural's North Buffalo neighborhood.
Sopheap Pich's Cycle, on view as part of We the People: New Art from the Collection, traces the connections between the human and natural worlds.
Subodh Gupta's This is not a fountain combines used pots and pans and working faucets to speak to the transformation of family and community in contemporary India.
On March 4, 1965, members of The Center of the Creative and Performing Arts at the University at Buffalo performed György Ligeti's Poème symphonique, 1962, as part of the Buffalo Festival of the Arts Today.
Our Colors Make Us Beautiful contains fragments of thought in the three languages that inform artist Muhammad Zaman's identity: English, Bengali, and Arabic.