For some artists, including Rachel Whiteread, architecture is less about form than feeling: their works underscore how a building and its interior space can define our inner lives.

Guests gathered on February 25, 1963, for the Members' Preview of the 27th Annual Western New York Exhibition.

On March 6, 2016, the Albright-Knox welcomed military families for tours and hands-on art projects. 

From the late nineteenth century onwards, artists have drawn parallels between the architecture of buildings and the “architecture,” or structure, of the picture plane. Their works encourage us to appreciate buildings as formal compositions in three-dimensional space.

Bruce Jackson: Cummins Wide featured fifty-three of the photographer's images of the infamous Cummins Prison Farm, shot in the early 1970s.

Sound plays a key role in a number of the works in Out of Sight! Art of the Senses.

We’re celebrating the return of three paintings by Joan Mitchell with a look back at the artist’s 1988 retrospective at the museum.

Smell is one of the most evocative of our senses and can instantly bring to mind highly specific memories or powerful waves of nostalgia.

On January 1, 2007, the Albright-Knox debuted a new installation by James Turrell: Gap from the series “Tiny Town,” 2001. This work is currently on view once again as part of the special exhibition Out of Sight! Art of the Senses.

Out of Sight! Art of the Senses offers the rare opportunity to eat or drink some works of art.

On December 15, 1966, the Albright-Knox hosted a Members’ Preview of the newly acquired Mirrored Room with artist Lucas Samaras in attendance. 

While sight may be the sense we’re most familiar with relying on in a museum, some works in Out of Sight! Art of the Senses compel us to rethink what it means to see art.