Educator Ebony Pope reflects on Njideka Akunyili Crosby’s “The Beautyful Ones” Series #5.
Chuck Tingley and Matt Grote's weego celebrates nostalgia for cartoons, video games, and other imaginative preoccupations of youth.
With Loud Tactile Painting, Yaacov Agam aimed to disrupt the traditional rules of the art museum.
With We Are Here, Buffalo-based graphic design firm White Bicycle transformed a street map of the mural's North Buffalo neighborhood.
Sopheap Pich's Cycle, on view as part of We the People: New Art from the Collection, traces the connections between the human and natural worlds.
Subodh Gupta's This is not a fountain combines used pots and pans and working faucets to speak to the transformation of family and community in contemporary India.
On March 4, 1965, members of The Center of the Creative and Performing Arts at the University at Buffalo performed György Ligeti's Poème symphonique, 1962, as part of the Buffalo Festival of the Arts Today.
Our Colors Make Us Beautiful contains fragments of thought in the three languages that inform artist Muhammad Zaman's identity: English, Bengali, and Arabic.
Giant Steps: Artists and the 1960s includes some of the mainstays of the Albright-Knox's collection, like Jasper Johns's Numbers in Color, 1958–59, and Roy Lichtenstein's Head—Red and Yellow, 1962.
Nicolas Schöffer came to the museum in February 1965 to install and maintain his works, including Cysp I, a groundbreaking construction with an electronic “brain.”
At 80 feet tall by 160 feet wide, Wildflowers for Buffalo is the largest mural of artist Louise Jones’s career and the largest AK Public Art Initiative mural to date.