Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are also included in our current exhibition We Wanted a Revolution: Black Radical Women, 1965–85.

Guests gathered on March 4, 1989, for the Members' Preview of The Appropriate Object, which featured the work of seven contemporary black artists.

LaToya Ruby Frazier and other contemporary artists emphasize that architecture is far from neutral, actively shaping and reflecting a society’s culture, politics, and history.

Guests gathered on March 15, 1991, for the Members' Preview of Faith Ringgold: A 25 Year Survey.

For some artists, including Rachel Whiteread, architecture is less about form than feeling: their works underscore how a building and its interior space can define our inner lives.

Guests gathered on February 25, 1963, for the Members' Preview of the 27th Annual Western New York Exhibition.

On March 6, 2016, the Albright-Knox welcomed military families for tours and hands-on art projects. 

From the late nineteenth century onwards, artists have drawn parallels between the architecture of buildings and the “architecture,” or structure, of the picture plane. Their works encourage us to appreciate buildings as formal compositions in three-dimensional space.

Bruce Jackson: Cummins Wide featured fifty-three of the photographer's images of the infamous Cummins Prison Farm, shot in the early 1970s.

Sound plays a key role in a number of the works in Out of Sight! Art of the Senses.

We’re celebrating the return of three paintings by Joan Mitchell with a look back at the artist’s 1988 retrospective at the museum.

Smell is one of the most evocative of our senses and can instantly bring to mind highly specific memories or powerful waves of nostalgia.