Betsy Casañas's new #AKPublicArt mural is inspired by the mixed and integrated Latinx community she encountered in Buffalo.

Tam Van Tran blurs the boundaries between painting, drawing, and sculptural practices by merging traditional materials—such as canvas, paper, and paint—with decidedly less conventional ones—including algae, beet juice, eggshells, spirulina, and staples.

In June 2008, artist Ingrid Calame led a team of ten local students in a series tracing sessions at various sites in the community.

On the occasion of Joe Bradley's mid-career survey at the Albright-Knox, we're taking a closer look at each of the artist’s diverse bodies of work from the past decade, beginning with his modular paintings. 

Oriental Adventure was a week-long series of Chinese pottery and calligraphy demonstrations organized in conjunction with the exhibition Far Eastern Art in Upstate New York.

On the occasion of Joe Bradley's mid-career survey at the Albright-Knox, we're taking a closer look at each of the artist’s diverse bodies of work from the past decade, including his abstractions.

James Drake’s drawings, videos, and prints are fueled by his interest in the various forms of language.

Artist Kenneth Snelson’s first American retrospective transformed the Albright-Knox’s campus between September 12 and November 8, 1981.

On the occasion of Joe Bradley's mid-career survey at the Albright-Knox, we're taking a closer look at each of the artist’s diverse bodies of work from the past decade, including his silkscreen paintings.

Nancy Graves: Drawings, 1971–1973 featured nearly 30 on the artist's drawings, all of which related to her films and ongoing interest in mapping.

In her work, Milena Bonilla links the economy, politics, and world geography to the discord between nature and material culture.

On August 1, 1960, Charles Cary Rumsey’s portrait of the Spanish explorer Francisco Pizarro was moved to a new location facing Elmwood Avenue.