On October 21, 1978, the Albright-Knox opened an exhibition featuring the work of video art pioneers Steina and Woody Vasulka.

In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Alicia Penalba responded with thoughts about her sculpture Chrysalis.

In recognition of Disability Awareness Month, learn more about the history of the Albright-Knox's accessibility programming.

This exhibition debuted celebrated Buffalo photographer Milton Rogovin's series Lower West Side, Buffalo, New York. 

With support from the Niagara Frontier Transportation Authority (NFTA), the large concrete wall surrounding the NFTA's Cold Spring Bus Maintenance Depot has been transformed into portraits of twenty-eight notable civil rights leaders from America's past and present. 

In the early 1980s, the Albright-Knox offered a series of Advanced Placement Drawing courses for area high-school students.

In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their work. R. B. Kitaj responded with thoughts about his painting Walter Lippmann.

In September 1955, the Albright Art Gallery hosted World at Work 1930–1955, an exhibition of more than fifty paintings, watercolors, and drawings originally commissioned by Fortune magazine.

In his intricate compositions, Kelly Wallace aims to capture the universal beauty of the landscape while also acknowledging the manmade world’s decline and imminent potential for collapse.

On Wednesday, February 12, 1986, Dr. Monroe Fordham gave a talk on “The Afro-American Diaspora: Harriet Tubman, ‘Moses of Her People.’”

Betsy Casañas's new #AKPublicArt mural is inspired by the mixed and integrated Latinx community she encountered in Buffalo.

Tam Van Tran blurs the boundaries between painting, drawing, and sculptural practices by merging traditional materials—such as canvas, paper, and paint—with decidedly less conventional ones—including algae, beet juice, eggshells, spirulina, and staples.