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Portrait de Mlle Rose Caron (Portrait of Rose Caron) — Edgar Degas

Portrait de Mlle Rose Caron (Portrait of Rose Caron) , ca. 1892

Étude pour "Le Chahut" (Study for "Le Chahut") — Georges Seurat

Étude pour "Le Chahut" (Study for "Le Chahut") , 1889

Portrait of Jacques-François Desmaisons — Jacques-Louis David

Portrait of Jacques-François Desmaisons , 1782

The Lady's Last Stake — William Hogarth

The Lady's Last Stake , 1759

A young boy dressed in a plain brown jacket over a blousy white top, shown from the waist up, fills most of this painting. He clutches a short lighted stick in his right hand, and a pair of black bat-like wings sprout from his upper back. He turns his head to gaze somberly down and to the left. Behind him, heavy clouds loom over a city street with low wooden buildings and two pedestrians. The painting style is soft and atmospheric using mostly muted brown tones. — Joshua Reynolds

Cupid as Link Boy , 1774

The young woman who is the subject of this portrait is show seated and from the waist up. She looks directly at the viewer and a small smile plays over her red lips. Brown ringlets softly frame her face and are elaborated pinned at the top of her head. She wears a white silky dress, cut low around her shoulders, as well as a long golden chain necklace and a golden bracelet set with a red gem on her right wrist. — Sir Thomas Lawrence

Portrait of Miss Rosamond Croker , 1827

Le Christ jaune (The Yellow Christ) — Paul Gauguin

Le Christ jaune (The Yellow Christ) , 1889

Four barefoot figures populate this scene of a Moroccan street at midday. On the left, a woman and a young adult stand outside a darkened doorway; an older man sleeps hidden in its shadows. The woman wears a knee-length garment belted with a decorative sash and a scarf covers her hair. The young adult wears a knee-length tunic and a voluminous shawl. A white robed man holding a knife sits on the other side of the doorway. — Eugène Delacroix

Street in Meknes , 1832

Angular wolves inhabit this semiabstract landscape inhabited by angular wolves. One brown, one orange, and one blue-black animal, all three crouched and on the prowl, enter from the right side of the painting. All have hollowed-out eyes. Another black wolf lies sleeping or dead at the left on the canvas. The tone of the painting is dark and brooding despite the expressive yellow sunset at the top, blue flames of a fire in the foreground, and two pink flowers at lower right. — Franz Marc

Die Wölfe (Balkankrieg) [The Wolves (Balkan War)] , 1913

In this tall, narrow portrait, painted with loose, energetic brush strokes, a young man wearing a deep red uniform with matching cap stands in front of a dark burgundy, gray, green, and blue background. A row of gold buttons extends down the front of the boy’s jacket. His right hand is by his side, palm facing out, and his left hand is clenched in front of his waist. The figure’s dark eyes, hair, and moustache stand out again his pale skin. — Chaïm Soutine

Page Boy at Maxim's , ca. 1927

Nude Figure — Pablo Picasso

Nude Figure , late spring 1910

Thomas Eakins

Music , 1904

This horizontally oriented canvas features a loosely painted rural scene of several old stone houses and a dirt road running between them. Tall trees rise above behind the roofs. The grey and somber light that pervades the scene overall streams from a cloudy sky in the top quarter of the canvas. In the painting’s middle ground, a human figure wearing a blue shirt and light-colored trousers raises an axe above his head in order to chop a large branch at his feet. — Alfred Sisley

Rue de village à Marlotte (Village Street in Marlotte) , 1866

Painting No. 46 — Marsden Hartley

Painting No. 46 , 1914-1915

Femme retroussant sa chemise (Woman Lifting Her Chemise) — Henri de Toulouse-Lautrec

Femme retroussant sa chemise (Woman Lifting Her Chemise) , 1901

Danseuse au café (Dancer in a Café) — Jean Metzinger

Danseuse au café (Dancer in a Café) , 1912

Pictured in pastel colors and shades of gray, a man with a straw hat relaxes in a hammock. Lines crisscrossing the canvas break his body, face, and surroundings into irregular geometric shapes. One of his hands holds the far side of the hammock, the other hand hangs out of it, lazily holding a book. His leg hangs out of the hammock and rests on a nearby chair. — Albert Gleizes

L'Homme au hamac (Man in a Hammock) , 1913

Frauenbildnis (Portrait of a Woman) — Ernst Ludwig Kirchner

Frauenbildnis (Portrait of a Woman) , 1911

La source de la Loue (The Source of the Loue) — Gustave Courbet

La source de la Loue (The Source of the Loue) , ca. 1864

Figure Study — Max Weber

Figure Study , 1911

L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)] — Alberto Giacometti

L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)] , 1934 (cast executed 1935)

Soleil, tour, aéroplane (Sun, Tower, Airplane) — Robert Delaunay

Soleil, tour, aéroplane (Sun, Tower, Airplane) , 1913

Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash) — Giacomo Balla

Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash) , 1912

Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou) — Honoré Daumier

Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou) , ca. 1860

Tall dark green and black rectangles rise from a diamond patterned ground at the bottom of this vertically oriented painting. The shapes are taller than they are wide and grouped together like a dense thicket of branchless tree trunks. Each is patterned with a set of irregular white dashes and other marks. Black, cloud-like shapes emerge from the upper left corner and center right edge of the soft gray background. — Max Ernst

Époque des forêts (Age of Forests) , 1926