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A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]
This horizontally oriented canvas features a loosely painted rural scene of several old stone houses and a dirt road running between them. Tall trees rise above behind the roofs. The grey and somber light that pervades the scene overall streams from a cloudy sky in the top quarter of the canvas. In the painting’s middle ground, a human figure wearing a blue shirt and light-colored trousers raises an axe above his head in order to chop a large branch at his feet.
A life-sized bronze abstract female nude holds her hands placed in front of her chest, as if cradling an invisible sphere. She appears to be perched on a tall chair, which supports and frames the figure from behind. The facial features on her flat, round head are angular. Her long, skinny body terminates in long legs bent at the knee. The figure’s feet rest on a narrow rectangular shaped stool at the sculpture’s base.
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
At center, a woman holds the hand of a small child, helping her up a set of stairs. The woman carries a bundle of laundry under her left arm, and both figures are dressed in what appears to be clothing typical of the mid-nineteenth century working class, although the dark, muted colors and sketchy brushwork make it difficult to make out detail. The brightly lit outlines of a city landscape cast the shadowy figures in strong relief.
Époque des forêts (Age of Forests)