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A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
Edgar Degas
Portrait de Mlle Rose Caron (Portrait of Rose Caron) ,
Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]
Franz Marc
Die Wölfe (Balkankrieg) [The Wolves (Balkan War)] ,
This horizontally oriented canvas features a loosely painted rural scene of several old stone houses and a dirt road running between them. Tall trees rise above behind the roofs. The grey and somber light that pervades the scene overall streams from a cloudy sky in the top quarter of the canvas. In the painting’s middle ground, a human figure wearing a blue shirt and light-colored trousers raises an axe above his head in order to chop a large branch at his feet.
Alfred Sisley
Rue de village à Marlotte (Village Street in Marlotte) ,
A life-sized bronze abstract female nude holds her hands placed in front of her chest, as if cradling an invisible sphere. She appears to be perched on a tall chair, which supports and frames the figure from behind. The facial features on her flat, round head are angular. Her long, skinny body terminates in long legs bent at the knee. The figure’s feet rest on a narrow rectangular shaped stool at the sculpture’s base.
Alberto Giacometti
L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)] ,
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
Giacomo Balla
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash) ,
Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou)
Honoré Daumier
Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou) ,
Tall dark green and black rectangles rise from a diamond patterned ground at the bottom of this vertically oriented painting. The shapes are taller than they are wide and grouped together like a dense thicket of branchless tree trunks. Each is patterned with a set of irregular white dashes and other marks. Black, cloud-like shapes emerge from the upper left corner and center right edge of the soft gray background.
Max Ernst
Époque des forêts (Age of Forests) ,