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Beyond the edge of a window shutter on the right side of the painting unfolds a street scene along the Seine river. Multiple figures walk on the roads along each side of the river and over a bridge. The contours of Notre Dame Cathedral dominate the upper right quadrant. The painter suggested a hazy atmosphere by painting the scene in broad and loose brushstrokes of muted blues, purples, pinks, greens, and browns.
L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)]
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
This photograph captures two walls, which meet in a corner toward the left edge, covered in a black graphite. The walls are divided into large rectangular planes, each of which is darkest at its edges and gradually becomes lighter toward the center, creating the illusion of a curving surface catching the light. A vast number of hand-drawn scribbles make up these forms. The two walls surround a staircase; a small portion of the second-story landing is visible on the right edge.
More than sixty aluminum canoes and rowboats connected to one another by a network of steel cables expand outward at varying angles from a steel supporting column, cantilevering dramatically to the right. This sculpture is shown installed in front of a large tree outside the museum’s entrance.