Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are included in our current exhibition We the People: New Art from the Collection.
In honor of Black History Month, we’re celebrating works by African American artists, including Kevin Beasley's Untitled (hollow), 2016, which is currently on view in We the People: New Art from the Collection.
In honor of Black History Month, we’re celebrating works by African American artists, including Samuel Levi Jones's Elements, 2018, which is currently on view in We the People: New Art from the Collection.
In honor of Black History Month, we’re celebrating works by African American artists, including Rashid Johnson's Falling Man, 2015, which is currently on view in We the People: New Art from the Collection.
In honor of Black History Month, we’re celebrating works by African American artists, including Theaster Gates's Civil Tapestry 5, 2012, which is currently on view in We the People: New Art from the Collection.
Godin-Spaulding Curator & Curator for the Collection Holly E. Hughes and Senior Registrar for the Collection Laura Fleischmann provide a deeper look into the process of moving, protecting, and conserving sculptures on the Albright-Knox's campus.
Each week this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works have been recently acquired by the museum.
Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are included in our current exhibition Window to Wall: Art from Architecture.
Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are also included in our current exhibition We Wanted a Revolution: Black Radical Women, 1965–85.
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Victor Pasmore responded with thoughts about his 1960 painting Abstract in Red, No. 3.
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Grace Hartigan responded with thoughts about her 1957 painting New England, October.
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Beverly Pepper responded with thoughts about her sculpture Zig-Zag.
