Vincent van Gogh originally gave this self portrait to his friend, the French artist and author Émile Bernard, who cherished the work.
Humble and Human: An Exhibition in Honor of Ralph C. Wilson, Jr. features a gallery devoted to American Impressionism, including Willard Leroy Metcalf's The White Veil.
Madame Cézanne, one of 29 portraits the artist painted of his wife, is on loan from the Detroit Institute of Arts for Humble and Human: An Exhibition in Honor of Ralph C. Wilson, Jr.
The exhibition Humble and Human reunites two paintings by Camille Pissarro depicting the interior and exterior of a friend's rural home.
In his Portrait of Postman Roulin, Vincent van Gogh captured an image of his friend in his full, utterly unique humanity.
Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are included in our current exhibition We the People: New Art from the Collection.
Exhibition Spotlight: Morgan Law on Dan Halter’s Rifugiato Mappa del Mondo (Refugee Map of the World)
As part of We the People: New Art from the Collection, the Albright-Knox asked members of the community for their thoughts on works in the exhibition. Morgan Law chose Dan Halter’s Rifugiato Mappa del Mondo (Refugee Map of the World).
Karima Amin, storyteller and founder/director of Prisoners Are People Too, Inc., reflects on Hank Willis Thomas’s We The People.
Yuji Agematsu’s zip: 01.01.06 . . . 06.30.06 is an unconventional portrait of a very specific time and place: January 1 through June 30, 2006, in New York.
Educator Ebony Pope reflects on Njideka Akunyili Crosby’s “The Beautyful Ones” Series #5.