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Expanded production horizon

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Liam Gillick

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Liam Gillick

British, born 1964

Expanded production horizon, 2008

six parts: powder-coated aluminum and transparent Plexiglas

each part: 59 x 59 x 2 inches (149.86 x 149.86 x 5.08 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Albert H. Tracy Fund, Gift of Mrs. George A. Forman, by exchange and Charles W. Goodyear Fund, 2008

2008:41a-f

Currently On View

More Details

Provenance

2005, commissioned from the artist by the Albright-Knox Art Gallery, Buffalo;
2008, purchased through Casey Kaplan, New York by the Albright-Knox Art Gallery, Buffalo

Class

Sculpture (visual work)

Work Type

Construction (sculpture)

This information may change due to ongoing research. Glossary of Terms

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Other Works by This Artist

Commissioned Works

This photograph captures two walls, which meet in a corner toward the left edge, covered in a black graphite. The walls are divided into large rectangular planes, each of which is darkest at its edges and gradually becomes lighter toward the center, creating the illusion of a curving surface catching the light. A vast number of hand-drawn scribbles make up these forms. The two walls surround a staircase; a small portion of the second-story landing is visible on the right edge.
Sol LeWitt
Wall Drawing # 1268: Scribbles: Staircase (AKAG) ,
More than sixty aluminum canoes and rowboats connected to one another by a network of steel cables expand outward at varying angles from a steel supporting column, cantilevering dramatically to the right. This sculpture is shown installed in front of a large tree outside the museum’s entrance.
Nancy Rubins
Monochrome I, Built to Live Anywhere, at Home Here ,

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