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Looking at Tomorrow (Scottish North West Highlands)

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Hamish Fulton

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Hamish Fulton

British, born 1946

Looking at Tomorrow (Scottish North West Highlands), 1974

set of five gelatin silver prints and text mounted on board

Each (framed): 24 x 33.5 inches (61 x 85 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

The Panza Collection and by exchange: George B. and Jenny R. Mathews Fund, Bequest of Arthur B. Michael, Albert H. Tracy Fund and Bequest of John Mortimer Schiff, 2015

P2015:3.3a-e

More Details

Class

Photographs

Work Type

Gelatin silver print
Set (group)

This information may change due to ongoing research. Glossary of Terms

Hamish Fulton’s Looking at Tomorrow (Scottish North West Highlands) documents the artist’s five-day walk across a mountainous region in Scotland. On each day of his journey, Fulton summited a different mountain, documenting the completion of the day’s walk by photographing the hill he was to climb on the following day. The captions included with each image offer a textual record of the artist’s itinerary, naming both the mountain from which the photograph is taken and the one captured by his camera. Fulton’s images convey the harsh beauty of the Highlands, but without the formal precision of photographers like Ansel Adams or Edward Weston. In many ways, Looking at Tomorrow is a renewed take on the British tradition of landscape painting, specifically the visions of a bucolic British countryside painted by artists like John Constable and J. M. W. Turner. While the style of Fulton’s photographs is far less Romantic, the artist shares the earlier generation’s impulse to document the natural world and untouched landscapes before they are transformed by industrialization.

Label from Looking at Tomorrow: Light and Language from The Panza Collection, 1967–1990, October 24, 2015–February 7, 2016

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