Tamar Guimarães’s recent solo exhibitions include Programa Fisuras, Museo Reina Sofía, Madrid, Spain, 2016; The Florists from Beyond the Grave, SKMU Sørlandets Kunstmuseum, Kristiansand, Norway, 2015; Canoas, pinksummer, Palazzo Ducale, Genova, Italy, 2014; The Afterlife (of Names and Things), Kunsthal Aarhus, Aarhus, 2012; The Work of the Spirit (Parade), Gasworks, London, 2011; A Man Called Love, Artspace Sydney, 2010; and A Man Called Love, IMA Institute of Modern Art, Brisbane, 2009. Recent group exhibitions include As Told, Lunds Konsthall, Sweden, 2016; Ver-Revelar, Museo de Arte Contemporáneo de Castilla y León, León, Spain, 2016; Rainbow in the Dark, Malmö Konstmuseum, Sweden, 2015; Séance Fiction, Banff Centre for Arts and Creativity, Alberta, Canada, 2015; Believe Not Every Spirit, But Try The Spirits, Monash University Museum of Art, Melbourne, 2015; Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, 2014; Better Homes, SculptureCenter, Long Island City, New York, 2013; The Insides are on the Outside, SESC, São Paulo, 2013; The Watchmen, the Liars, the Dreamers, Frac Ile-de-France / Le Plateau, Paris, France, 2010; the 29th São Paulo Biennial, 2010; 3rd Guanghzhou Triennial, Guangdong Museum, Guangzhou, China; and 7th Gwangju Biennale, Gwangju, South Korea, 2008.

Guimarães and Kasper Akhøj’s collaborative exhibitions include the 56th Venice Biennale, Belgian Pavilion, 2015; 31st São Paulo Biennial, 2014; Future Scenarios with an Open End, Künstlerhaus Stuttgart, 2014; The Encyclopedic Palace, the 55th Venice Biennale International Exhibition, 2013; Sharjah Biennial 11, 2013; The Last Days of Watteau, Galeria Fortes Vilaça, São Paulo; and L’Au-delà (des noms et des choses), Jeu de Paume Satellite, Paris, 2012.