In August of 1870, during the Franco-Prussian War, Jean-François Millet returned to Cherbourg, where his family owned a small farm overlooking the choppy gray waters of the English Channel. During this time, he painted several seascapes, including “The Cliffs of Gréville,” a monumental essay on the harsh beauty of the Normandy coastline. In Millet’s earlier work, the countryside served as a backdrop for depictions of farm workers performing everyday tasks. His most celebrated images from this period consider the dignity, as well as the privations, of French peasant life. Millet became preoccupied with the landscape as a subject in itself in his later career and was one of the founders of the Barbizon School, an early nineteenth-century group of painters who pioneered the practice of painting outdoors and were key precursors of the Impressionists. This shift in perspective is clear in the “The Cliffs of Gréville,” where Millet highlights the imposing structure of the cliff, wind-sculpted soil, lapping waves, and heavy clouds.