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Masterworks at the Albright-Knox Art Gallery

Author
Bayles, Jennifer; Brutvan, Cheryl A.; Evren, Robert; Kline, Katy; Kotik, Charlotta; Krane, Susan; Mayer, Marc; Moore, Ethel; Nash, Steven; Raye, Helen; Smith, Mariann W.; Wood, Emese
Publisher
Hudson Hills Press, in association with the Albright-Knox Art Gallery
New York, New York
Editor
Spaulding, Karen Lee
Type
Collection catalogue
Year

This collection catalogue updated and revised the 1987 collection catalogue "125 Masterpieces from the Collection of the Albright-Knox Art Gallery," which included introductions to works in the collection by Robert Evren, Katy Kline, Charlotta Kotik, Susan Krane, Ethel Moore, Steven Nash, Helen Raye and Emese Wood. New texts for this second edition were written by Jennifer Bayles, Cheryl Brutvan, Marc Mayer, Helen Raye and Mariann Smith.

Related Artworks

This wintery landscape features a path that follows a still gray river as it curves from the bottom right corner of the canvas and recede into the distance under an overcast sky. On the right side of the painting, smokestacks on a distant are reflected in the water. Four small figures summarily rendered in dark tones walk on the path, with one appearing to move toward the viewer. To the left is a patch of trees and grass that peeks out beneath melting snow.
Claude Monet
Chemin de halage à Argenteuil (Towpath at Argenteuil, Winter) ,
Notre-Dame, une fin d'après-midi (A Glimpse of Notre Dame in the Late Afternoon)
Henri Matisse
Notre-Dame, une fin d'après-midi (A Glimpse of Notre Dame in the Late Afternoon) ,
This painting features a beige-color room full of fantastical creatures performing music and acrobatics, and floating through the air. These colorful beings are shaped like musical instruments, insects, animals, and mermaids and interact with instruments, musical notes, a ladder, dice, unicycle, a shooting star, and other objects. A window at top right looks out onto a landscape, and beneath it is a table with a fish, a globe, and papers.
Joan Miró
Carnaval d'Arlequin (Carnival of Harlequin) ,
Portrait de Mlle Rose Caron (Portrait of Rose Caron)
Edgar Degas
Portrait de Mlle Rose Caron (Portrait of Rose Caron) ,
Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]
Franz Marc
Die Wölfe (Balkankrieg) [The Wolves (Balkan War)] ,
Harlequin
Julio González
Harlequin ,
A large building topped by a dome held aloft by classical pillars dominates this brightly lit city scene. The building extends from the right edge of the canvas. On the left, a clear blue skills fills the area above a church with a large bell tower and a section of yellow cobblestones partially filled by a number of pedestrians.
Raoul Dufy
Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont) ,
Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou)
Honoré Daumier
Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou) ,
Wehgeweihtes Kind (Child Consecrated to Suffering)
Paul Klee
Wehgeweihtes Kind (Child Consecrated to Suffering) ,
This horizontally oriented canvas features a loosely painted rural scene of several old stone houses and a dirt road running between them. Tall trees rise above behind the roofs. The grey and somber light that pervades the scene overall streams from a cloudy sky in the top quarter of the canvas. In the painting’s middle ground, a human figure wearing a blue shirt and light-colored trousers raises an axe above his head in order to chop a large branch at his feet.
Alfred Sisley
Rue de village à Marlotte (Village Street in Marlotte) ,
Le peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter)
Edouard Vuillard
Le peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter) ,
Maisons à l'Île d'Ouessant, Bretagne (Houses on the Island of Ouessant, Brittany)
Maurice Utrillo
Maisons à l'Île d'Ouessant, Bretagne (Houses on the Island of Ouessant, Brittany) ,
Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.
Yves Tanguy
Divisibilité indéfinie (Indefinite Divisibility) ,
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
Giacomo Balla
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash) ,
Tall dark green and black rectangles rise from a diamond patterned ground at the bottom of this vertically oriented painting. The shapes are taller than they are wide and grouped together like a dense thicket of branchless tree trunks. Each is patterned with a set of irregular white dashes and other marks. Black, cloud-like shapes emerge from the upper left corner and center right edge of the soft gray background.
Max Ernst
Époque des forêts (Age of Forests) ,
A life-sized bronze abstract female nude holds her hands placed in front of her chest, as if cradling an invisible sphere. She appears to be perched on a tall chair, which supports and frames the figure from behind. The facial features on her flat, round head are angular. Her long, skinny body terminates in long legs bent at the knee. The figure’s feet rest on a narrow rectangular shaped stool at the sculpture’s base.
Alberto Giacometti
L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)] ,
Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow
Piet Mondrian
Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow ,
Femme et oiseaux dans la nuit (Woman and Birds in the Night)
Joan Miró
Femme et oiseaux dans la nuit (Woman and Birds in the Night) ,

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Ammi Phillips

Portrait of Lewis Northrop

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