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Poly-joueurs des cartes (Card Players)

© Estate of Roberto Matta / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Estate of Roberto Matta / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Estate of Roberto Matta / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Roberto Matta

Chilean, 1911-2002

Poly-joueurs des cartes (Card Players), ca. 1957

oil on canvas

support: 55 1/4 x 89 inches (140.335 x 226.06 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Charles Clifton Fund, 1962

1962:6

More Details

Inscriptions

inscription / back, lower right / poly-joueurs/des cartes/#126/Matta
signature / back, lower right / Matta

Class

Paintings

Work Type

Oil painting

Information may change due to ongoing research.Glossary of Terms

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Other Works by This Artist

Surrealism

Non loin du soleil, de la lune et des 'etoiles (Not far from the sun, the moon and the stars)
Jean (Hans) Arp
Non loin du soleil, de la lune et des 'etoiles (Not far from the sun, the moon and the stars) ,
Unbreakable Rabbit Drummer (Robert Cornell modification)
Joseph Cornell
Unbreakable Rabbit Drummer (Robert Cornell modification) ,
Époque des forêts (Age of Forests)
Max Ernst
Époque des forêts (Age of Forests) ,
A life-sized bronze abstract female nude holds her hands placed in front of her chest, as if cradling an invisible sphere. She appears to be perched on a tall chair, which supports and frames the figure from behind. The facial features on her flat, round head are angular. Her long, skinny body terminates in long legs bent at the knee. The figure’s feet rest on a narrow rectangular shaped stool at the sculpture’s base.
Alberto Giacometti
L'objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)] ,
Wehgeweihtes Kind (Child Consecrated to Suffering)
Paul Klee
Wehgeweihtes Kind (Child Consecrated to Suffering) ,
Die Hese mit dem Kamm (The Witch with the Comb)
Paul Klee
Die Hese mit dem Kamm (The Witch with the Comb) ,
La Philosophie et la peinture de Rene Magritte (Volume I)
René Magritte
La Philosophie et la peinture de Rene Magritte (Volume I) ,
Contemplation de l'abime (Contemplation of the Abyss)
André Masson
Contemplation de l'abime (Contemplation of the Abyss) ,

No image available,
but we're working on it

André Masson
Crouching Woman ,
La Mer du Temps from Serie Or (The Sea of Time from the Gold Series)
Roberto Matta
La Mer du Temps from Serie Or (The Sea of Time from the Gold Series) ,
This painting features a beige-color room full of fantastical creatures performing music and acrobatics, and floating through the air. These colorful beings are shaped like musical instruments, insects, animals, and mermaids and interact with instruments, musical notes, a ladder, dice, unicycle, a shooting star, and other objects. A window at top right looks out onto a landscape, and beneath it is a table with a fish, a globe, and papers.
Joan Miró
Carnaval d'Arlequin (Carnival of Harlequin) ,
Femme et oiseaux dans la nuit (Woman and Birds in the Night)
Joan Miró
Femme et oiseaux dans la nuit (Woman and Birds in the Night) ,
Frosted Objects (of my Affection)
Man Ray
Frosted Objects (of my Affection) ,

No image available,
but we're working on it

Kurt Seligmann
Slaying of Laius from the series Oedipus ,

No image available,
but we're working on it

Kurt Seligmann
Study for "John without Land Cleaned by the Void" ,

No image available,
but we're working on it

Kurt Seligmann
Study for "The Sphinx" ,

No image available,
but we're working on it

Kurt Seligmann
Two illustrations for A Primitive like an Orb (poem by Wallace Stevens) ,
Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.
Yves Tanguy
Divisibilité indéfinie (Indefinite Divisibility) ,

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