Skip to Main Content
Pictograph

© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Pictograph

© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Pictograph

© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Adolph Gottlieb

American, 1903-1974

Pictograph, 1946

oil on canvas

support: 35 3/8 x 47 inches (89.85 x 119.38 cm); framed: 37 3/4 x 49 3/4 x 2 3/8 inches (95.88 x 126.37 x 6.03 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Gift of Mr. and Mrs. David K. Anderson to The Martha Jackson Collection, 1976

1976:1.1

More Details

Inscriptions

signature, dated / front, lower left / Adolph Gottlieb '46

Provenance

the artist;
Samuel Kootz Gallery, New York;
Victor Wolfson, New York,
Parke-Bernet, New York;
January 27, 1965, purchased by Martha Jackson Gallery from auction, Parke-Bernet, New York, January 27, 1965, sale no. 2326, lot. no. 177;
estate of Martha Kellogg Jackson;
January 1976, presented by David K. and Rebecca Reed Anderson from the Estate of Martha Jackson to the Martha Jackson Collection at the Albright-Knox Art Gallery

Class

Paintings

Work Type

Oil painting

This information may change due to ongoing research. Glossary of Terms

Verbal Description Audio

Related Content

  • Installation view of The Martha Jackson Collection at the Albright-Knox Art Gallery
    exhibition

    The Martha Jackson Collection at the Albright-Knox Art Gallery

    –
    Learn More
    Learn More
  • Installation view of Abstract Expressionism: The Critical Developments
    exhibition

    Abstract Expressionism: The Critical Developments

    –
    Learn More
    Learn More
  • Installation view of The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery
    exhibition

    The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery

    –
    Learn More
    Learn More
  • Installation view of Sincerely Yours: Treasures of the Queen City
    exhibition

    Sincerely Yours: Treasures of the Queen City

    –
    Learn More
    Learn More
  • Cover of Abstract Expressionism: The Critical Developments
    publication

    Abstract Expressionism: The Critical Developments

    Learn More
    Learn More
  • Cover of The Martha Jackson Collection at the Albright-Knox Art Gallery
    publication

    The Martha Jackson Collection at the Albright-Knox Art Gallery

    Learn More
    Learn More
  • Cover of The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery
    publication

    The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery

    Learn More
    Learn More
  • Cover of The Painting and Sculpture Collection: Acquisitions Since 1972
    publication

    The Painting and Sculpture Collection: Acquisitions Since 1972

    Learn More
    Learn More

Other Works by This Artist

The Martha Jackson Collection

No image available,
but we're working on it

Ronald Bladen
Black/Blue/Yellow ,
Double Store Front, Project
Christo
Double Store Front, Project ,
Study for "To the Memory of Martha Jackson"
Frank Roth
Study for "To the Memory of Martha Jackson" ,

No image available,
but we're working on it

Harold Altman
To Martha ,

No image available,
but we're working on it

Walasse Ting
Poster ,

No image available,
but we're working on it

Grace Hartigan
The Hero Leaves the Ship I ,

No image available,
but we're working on it

Sam Francis
Happy Death Stone ,

Abstract Expressionism

Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.
Joan Mitchell
George Went Swimming at Barnes Hole, but It Got Too Cold ,

Related People

Back to Top