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Pictograph

© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Adolph and Esther Gottlieb Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Adolph Gottlieb

American, 1903-1974

Pictograph, 1946

oil on canvas

support: 35 3/8 x 47 inches (89.85 x 119.38 cm); framed: 37 3/4 x 49 3/4 x 2 3/8 inches (95.88 x 126.37 x 6.03 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Gift of Mr. and Mrs. David K. Anderson to The Martha Jackson Collection, 1976

1976:1.1

More Details

Inscriptions

signature, dated / front, lower left / Adolph Gottlieb '46

Provenance

the artist;
Samuel Kootz Gallery, New York;
Victor Wolfson, New York,
Parke-Bernet, New York;
January 27, 1965, purchased by Martha Jackson Gallery from auction, Parke-Bernet, New York, January 27, 1965, sale no. 2326, lot. no. 177;
estate of Martha Kellogg Jackson;
January 1976, presented by David K. and Rebecca Reed Anderson from the Estate of Martha Jackson to the Martha Jackson Collection at the Albright-Knox Art Gallery

Class

Paintings

Work Type

Oil painting

This information may change due to ongoing research. Glossary of Terms

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Other Works by This Artist

The Martha Jackson Collection

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but we're working on it

Ronald Bladen
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Christo
Double Store Front, Project ,
Study for "To the Memory of Martha Jackson"
Frank Roth
Study for "To the Memory of Martha Jackson" ,

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Harold Altman
To Martha ,

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Walasse Ting
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Grace Hartigan
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Sam Francis
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Abstract Expressionism

Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.
Joan Mitchell
George Went Swimming at Barnes Hole, but It Got Too Cold ,

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