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The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery

Author
Dreishpoon, Douglas; Hughes, Holly E.; Smith, Mariann W.; Tejada, Susana
Publisher
Skira
Milan, Italy
Type
Exhibition catalogue
Year
This catalogue was published on the occasion of the exhibition "The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery," which was on view at the Albright-Knox Art Gallery from November 4, 2011, to March 4, 2012. It later traveled to the Denver Art Museum, San Diego Museum of Art, Crystal Bridges Museum of American Art, and the Milwaukee Art Museum. Featuring eighty iconic paintings and sculptures from the late nineteenth century to the present, The Long Curve highlights the history of the Albright-Knox’s remarkable collection by focusing on the pioneering benefactors and museum professionals who made it possible. This richly illustrated catalogue featured essays by Albright-Knox Chief Curator Douglas Dreishpoon and Head of Research Resources Susana Tejada, texts on each of the works by Curator of Education Mariann W. Smith, and a timeline of the museum’s 150-year history by Curator for the Collection Holly E. Hughes.

Related Artworks

Époque des forêts (Age of Forests)
Max Ernst
Époque des forêts (Age of Forests) ,
Large Elmer Painting
John Beech
Large Elmer Painting ,
Rouleau de grillage au chiffon rouge (Roll of Chicken Wire with Red Rag)
Antoni Tàpies
Rouleau de grillage au chiffon rouge (Roll of Chicken Wire with Red Rag) ,
untitled (to the citizens of the Swiss cantons) 1
Dan Flavin
untitled (to the citizens of the Swiss cantons) 1 ,
untitled (to the citizens of the Swiss cantons) 2
Dan Flavin
untitled (to the citizens of the Swiss cantons) 2 ,
untitled (to the citizens of the Swiss cantons) 3
Dan Flavin
untitled (to the citizens of the Swiss cantons) 3 ,
untitled (to the citizens of the Swiss cantons) 4
Dan Flavin
untitled (to the citizens of the Swiss cantons) 4 ,
A landscape of recently cleared fields and grass covered hills beneath a sunny blue sky filled with white clouds fills this horizontally oriented painting. In the bottom left foreground, a woman holding a basket in her right hand watches as a man thrusts a shovel into the ground. A horse-drawn wagon approaches in the distance, and a child sits in the field toward the right edge of the painting. The entire scene is rendered in individual dots of paint in deep blue, violet, green, orange, and other shades.
Camille Pissarro
Paysans dans les champs, Éragny (Peasants in the Fields, Éragny) ,
This painting features a beige-color room full of fantastical creatures performing music and acrobatics, and floating through the air. These colorful beings are shaped like musical instruments, insects, animals, and mermaids and interact with instruments, musical notes, a ladder, dice, unicycle, a shooting star, and other objects. A window at top right looks out onto a landscape, and beneath it is a table with a fish, a globe, and papers.
Joan Miró
Carnaval d'Arlequin (Carnival of Harlequin) ,
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
Giacomo Balla
Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash) ,
Horse with Head Lowered
Edgar Degas
Horse with Head Lowered ,
Concetto spaziale, Attese (Spatial Concept, Waiting)
Lucio Fontana
Concetto spaziale, Attese (Spatial Concept, Waiting) ,
Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.
Joan Mitchell
George Went Swimming at Barnes Hole, but It Got Too Cold ,
Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.
Yves Tanguy
Divisibilité indéfinie (Indefinite Divisibility) ,
Sunlight streams into a living room from open floor to ceiling windows on the left-hand side of this painting. A man sits with his back to the window, facing a child who stands slightly to the right of the image’s center on the room’s red-and-white striped carpet. A table with a decorative urn, a patterned curtain behind the child, and the rest of the room’s furnishings are also largely in shades of white and red with blue accents. The entire scene is painted in rough, loose brushstrokes.
Edouard Vuillard
Le peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter) ,
Eve (après la faute) [Eve (After the Fall)]
Auguste Rodin
Eve (après la faute) [Eve (After the Fall)] ,
Miserere mei, Deus, secundum magnam misericordiam tuam (Have mercy on me, God, with thy greatness) from the portfolio Miserere (Have Mercy)
Georges Rouault
Miserere mei, Deus, secundum magnam misericordiam tuam (Have mercy on me, God, with thy greatness) from the portfolio Miserere (Have Mercy) ,
Wall Drawing # 1268: Scribbles: Staircase (AKAG)
Sol LeWitt
Wall Drawing # 1268: Scribbles: Staircase (AKAG) ,

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