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look and see — Jim Hodges (American, born 1957). look and see, 2005. Enamel on stainless steel, 138 x 300 x 144 inches (350.5 x 762 x 365.8 cm). Collection Albright-Knox Art Gallery, Buffalo, New York; Sarah Norton Goodyear, George B. and Jenny R. Mathews and Charles Clifton Funds, 2006 (2006:15). © 2005 Jim Hodges

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© 2005 Jim Hodges

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Jim Hodges

American, born 1957

look and see, 2005

enamel on stainless steel

overall: 138 x 300 x 144 inches (350.52 x 762 x 365.76 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Sarah Norton Goodyear, George B. and Jenny R. Mathews and Charles Clifton Funds, 2006

2006:15

Currently On View

More Details

Provenance

commissioned by Creative Time, Inc., New York, for their series, "Art on the Plaza," New York, 2004;
purchased by Albright-Knox Art Gallery, through CRG Gallery, New York, October 30, 2006

Class

Sculpture (visual work)

Work Type

Sculpture (visual work)

This information may change due to ongoing research. Glossary of Terms

Jim Hodges is best known for creating poetic spectacles that employ evocative materials such as artificial flowers, gold leaf, denim, and thread. However, Hodges believes that any concept or medium can become an occasion for inventive transformation. In "look and see,” for example, the artist plays on the capriciousness of human perception. The work’s undulating surface of highly polished and painted stainless steel is perforated with cutouts that are at first nearly invisible, hidden by the sculpture’s highly reflective exterior and overall pattern of light and dark. The warped environment at once challenges our visual acuity and suggests a theoretical game of hide-and-go-seek between viewers and their surroundings. The camouflage-like mirrored surface of “look and see” also presents an industrialized interpretation of the landscape, calling into question the ways in which contemporary culture has blurred the distinction between nature and its artifice.