Skip to Main Content
Cain and Abel

Public Domain

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

download expand

Odilon Redon

French, 1840-1916

Cain and Abel, 1886 (printed later)

etching and drypoint

Edition: 2nd state

plate mark: 7 1/4 x 4 3/4 inches (18.41 x 12.07 cm); sheet: 15 13/16 x 11 3/16 inches (40.16 x 28.42 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Gift of Frederic P. Norton, 2000

P2000:1.31

More Details

Inscriptions

signature / lower right, in plate / Od. Redon
Frederick P. Norton Stamp / FPN

Provenance

collection of Frederic P. Norton;
donated to the Albright-Knox Art Gallery, 2000

Class

Prints

Work Type

Etching (print)
Drypoint (print)

This information may change due to ongoing research. Glossary of Terms

Related Content

  • Installation view of Rembrandt to Rauschenberg: The Norton Print Collection
    exhibition

    Rembrandt to Rauschenberg: The Norton Print Collection

    –
    Learn More
    Learn More
  • Cover of Rembrandt to Rauschenberg: The Norton Print Collection
    publication

    Rembrandt to Rauschenberg: The Norton Print Collection

    Learn More
    Learn More

Other Works by This Artist

Post-impressionism

A large building topped by a dome held aloft by classical pillars dominates this brightly lit city scene. The building extends from the right edge of the canvas. On the left, a clear blue skills fills the area above a church with a large bell tower and a section of yellow cobblestones partially filled by a number of pedestrians.
Raoul Dufy
Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont) ,
Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
Paul Gauguin
Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite ,
Hina
Paul Gauguin
Hina ,
Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
Paul Gauguin
Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite ,
Les Laveuses (The Washer Women) from the Volpini Suite
Paul Gauguin
Les Laveuses (The Washer Women) from the Volpini Suite ,
Notre-Dame, une fin d'après-midi (A Glimpse of Notre Dame in the Late Afternoon)
Henri Matisse
Notre-Dame, une fin d'après-midi (A Glimpse of Notre Dame in the Late Afternoon) ,
A landscape of recently cleared fields and grass covered hills beneath a sunny blue sky filled with white clouds fills this horizontally oriented painting. In the bottom left foreground, a woman holding a basket in her right hand watches as a man thrusts a shovel into the ground. A horse-drawn wagon approaches in the distance, and a child sits in the field toward the right edge of the painting. The entire scene is rendered in individual dots of paint in deep blue, violet, green, orange, and other shades.
Camille Pissarro
Paysans dans les champs, Éragny (Peasants in the Fields, Éragny) ,
Étude pour "La Grande Jatte" (Study for "La Grande Jatte")
Georges Seurat
Étude pour "La Grande Jatte" (Study for "La Grande Jatte") ,
Sunlight streams into a living room from open floor to ceiling windows on the left-hand side of this painting. A man sits with his back to the window, facing a child who stands slightly to the right of the image’s center on the room’s red-and-white striped carpet. A table with a decorative urn, a patterned curtain behind the child, and the rest of the room’s furnishings are also largely in shades of white and red with blue accents. The entire scene is painted in rough, loose brushstrokes.
Edouard Vuillard
Le peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter) ,

Related People

Back to Top