The Albright-Knox Art Gallery, in partnership with the Detroit Institute of Arts, is proud to present Humble and Human, an exhibition of Impressionist and post-Impressionist treasures from the museums' collections in celebration of Ralph C. Wilson, Jr.

In their collaborative videos, Christine Sun Kim and Thomas Mader illustrate the riches and restrictions of the communicative universe constructed by American Sign Language (ASL) speakers. 

Artist and pro-democracy activist Htein Lin has cast the hands of hundreds of former political prisoners for his multimedia installation A Show of Hands, offering these individuals an opportunity to process the past by sharing their stories with others.

This first solo museum presentation of Aria Dean’s work includes three videos that explore the social effects of new technologies and especially the complicated relationship between “blackness” and the internet.

Giant Steps: Artists and the 1960s revisits the vivacious imaginings of one of the most culturally, politically, and artistically significant periods of the 20th century.

Artists featured in The Swindle: Art Between Seeing and Believing celebrate art's ability to challenge what we see and undermine our confidence in first impressions.

This landmark exhibition provides an in-depth exploration of the work of Robert Indiana, one of America’s best known but least understood artists.

In this exhibition, artist Stephen Hannock’s recent gift to the Albright-Knox, The Great Falls; for Xu Bing (MassMoca #180), will be joined by additional historical and contemporary interpretations of the natural wonder drawn from the museum’s collection.

This spotlight exhibition will present all twenty illustrated plates from Henri Matisse's Jazz alongside a small selection of additional works by the artist from the Albright-Knox's collection. 

For her first solo museum exhibition, B. Ingrid Olson has taken over the Albright-Knox’s Gallery for Small Sculpture with a site-specific installation.

This special exhibition is the first retrospective of the art of this pioneering musician, filmmaker, and University at Buffalo educator.

Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color from the mid-1960s to the mid-1980s.