This first exhibition at Albright-Knox Northland features work by Heather Hart, Edra Soto, and Rodney Taylor that explores how people build connections to others both inside and outside the walls of those structures we call home.

Filling the entirety of the museum's 1905 Building, Anthony McCall: Dark Rooms, Solid Light features five of the artist's immersive “solid light” installations among other works. 

Kawita Vatanajyankur deploys her body to perform manual tasks that are normally accomplished using tools or other objects, creating indelible images of the paradoxes of twenty-first-century labor.

Featuring works that have entered the museum's collection over the past five years, this exhibition features some of the most imaginative and dynamic artists working today and their explorations into what it means to be a citizen of the 21st century.

Oriol Vilanova's postcard-based installations address how images both reflect and inform how we see the world.

The Albright-Knox Art Gallery, in partnership with the Detroit Institute of Arts, is proud to present Humble and Human, an exhibition of Impressionist and post-Impressionist treasures from the museums' collections in celebration of Ralph C. Wilson, Jr.

In their collaborative videos, Christine Sun Kim and Thomas Mader illustrate the riches and restrictions of the communicative universe constructed by American Sign Language (ASL) speakers. 

Artist and pro-democracy activist Htein Lin has cast the hands of hundreds of former political prisoners for his multimedia installation A Show of Hands, offering these individuals an opportunity to process the past by sharing their stories with others.

This first solo museum presentation of Aria Dean’s work includes three videos that explore the social effects of new technologies and especially the complicated relationship between “blackness” and the internet.

Giant Steps: Artists and the 1960s revisits the vivacious imaginings of one of the most culturally, politically, and artistically significant periods of the 20th century.

Artists featured in The Swindle: Art Between Seeing and Believing celebrate art's ability to challenge what we see and undermine our confidence in first impressions.

This landmark exhibition provides an in-depth exploration of the work of Robert Indiana, one of America’s best known but least understood artists.