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Installation view of In These Truths (Albright-Knox Northland, February 19–June 5, 2022). Photo: Brenda Bieger for Albright-Knox Art Gallery, Buffalo, New York

In These Truths

Saturday, February 19, 2022
Sunday, June 5, 2022

Albright-Knox Northland
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In These Truths is an exhibition of works by Black cultural producers, co-curated by two of Buffalo’s most influential, charismatic, and insightful artists, Edreys Wajed and Aitina Fareed-Cooke, in collaboration with Curator of Public Art Aaron Ott. This invitational exhibition focuses on Black artists, emerging and established, who, through a wide range of mediums, provoke and reconsider, defy and embrace, test and talk about our shared reality. Collectively they create enduring and fertile forms that stand to profoundly challenge white America’s preconceived notions and to proudly present a Black America in all the complexity of its grace, struggle, and accomplishment.

The title of the of the exhibition arises, in part, from one of our country’s foundational pronouncements in the Declaration of Independence. That document begins with its famous and unforgettable claim that we hold these truths to be self-evident, that all men are created equal—a statement that asserts inclusivity while never delivering it. In the poem she composed for the 2021 presidential inauguration, “The Hill We Climb,” Amanda Gorman wrote, “But while democracy can be periodically delayed / it can never be permanently defeated / In this truth / in this faith we trust.” And so, in our endeavor to demand equality and to expand true democracy for all, we must first honor the fact that Black bodies, Black thought, Black labor, and Black culture are foundational elements on which our nation is constructed.

While Buffalo was once among the last stops on the Underground Railroad, it is now one of the most segregated cities in the United States. This insidious division imposes a wide range of costs disproportionately on people of color, restricting access to healthcare, education, employment, and wealth. This exhibition lays the grounds for meaningful cultural interactions and dialogues necessary to illuminate and advance conversations on race and humanity that are essential to our country and our community. 

Our humanity, what is truly central to our lives and livelihoods, to our resistance and joy—this is the lodestar of our exhibition. The selected Black artists all assert, in their own voices and in their own truths, that nothing is more straightforward, and yet more imperative, than affirming our shared humanity. They and their peers working today provide perhaps the most vital means to represent America as it really is: complex, multiracial, and multifaceted. We move forward with them as they lead the way. 

ASL interpretation for people who are Deaf or hard of hearing is available upon request. To schedule an ASL interpreter for a virtual event, please contact Access & Community Programs Coordinator Karen Duval at 716.270.8249 or at least two weeks in advance.

Admission to Albright-Knox Northland is always Pay What You Wish. We will be giving all admission donations for the final weekends of In These Truths to Feed Buffalo (May 20–22), Every Bottom Covered (May 27–29), and African Heritage Food Co-op (June 3–5).

Nina Chanel Abney (American, born 1982), House of Reps, 2020. Triptych collage on panel, each 85 1/2 x 73 1/2 x inches (217.2 x 186.7 x 3.5 cm). Image courtesy of Nina Chanel Abney and Pace Prints, New York.

Adeyemi Adegbesan (Canadian, born 1982), Let It Fly (Prayer for a Black Boy - Reprise), 2020. Digital photograph, 60 x 40 inches (152 x 101.6 cm). Image courtesy of the artist

Still from film A hand that is held and loved someone, 2020, by Chloë Bass (American, born 1984). Image courtesy of Chloë Bass.

Julia Bottoms (American, born 1988). Frankie II, 2021. Oil on canvas, 68 x 50 inches (172.7 x 17 cm). Image courtesy of Julia Bottoms.

Allana Clarke (Trinidadian-American, born 1987). Solace, 2020. 30 Second super hair bonding glue, rubber latex, black carbon dye, and ammonium hydroxide, 66 x 114 x 12 inches (167.6 x 289.6 x 30.5 cm). Image courtesy of Allana Clarke and Kavi Gupta, Chicago; on loan from the collection of Lorenzo Legarda Leviste and Fahad Mayet.

vanessa german (American, born 1976). Can I Love You Without Capitalism? How?, 2019. Mixed-media assemblage, 59 x 67 1/2 x 26 inches (149.9 x 171.5 x 66 cm). Image courtesy of vanessa german and Kasmin Gallery.

Latoya M. Hobbs (American, born 1983). what audacity I must have…., 2012. Ink, acrylic, collage, and carving on wood panel, 96 x 48 inches (243.8 x 121.9). Image courtesy of LaToya Hobbs.

George Afedzi Hughes (American, born Ghana, 1962). Yellow Vehicle, 1999. Acrylic and oil on panel, 80 x 141.5 inches (203.2 x 359.4 cm). Image courtesy George Hughes.

Richard Howard Hunt (American, born 1935). Tree of Life, 2008. Cast bronze, 14 x 9.5 x 10.5 inches (35.6 x 24.1 x 26.7 cm). Image courtesy of Richard Hunt and Kavi Gupta, Chicago

Faheem Majeed (American, born 1976). Demise Shroud, 2018. Charcoal rubbing of Chicago’s South Side Community Art Center main gallery floors, 70 x 5 feet (21.3 x 1.5 m). Image courtesy Faheem Majeed.

Kellie Romany (American, born Trinidad and Tobago, 1985). Centered, 2017. Oil on board, 48 x 48 inches (121.9 x 121.9 cm). Image courtesy of Kellie Romany.

Phyllis Thompson (American, born 1946). Untitled, 1974. Oil pastel and wax crayon drawing on mulberry paper, 24 x 36 inches (61 x 91.4 cm). Image courtesy of the artist.

Rhonda Wheatley (American, born 1972). Get Woke to Self’ Elixir Stills. Calibrated for those who point the finger and compete over who’s more “woke” to the ways of the world but yet lack self-awareness. Gaze into vessels to receive balancing energy. Must be 100% voluntary, 2018. Dimensions variable. Image courtesy of the artist.

About the Curators

Photo of Wajed in all black with wide-brim hat

Edreys Wajed is celebrated for his work as a musician, poet, playwright, jewelry designer, graphic designer, educator, entrepreneur, and muralist (including as a contributor to Albright-Knox Public Art Initiative projects The Freedom Wall, 2017, and Love Black, 2020). After establishing himself as a self-trained barber as a teenager, Wajed built his early reputation on customized hats, clothes, and hand-designed logos, all before formally studying graphic design in college. His creativity, craftsmanship, and passion to inspire people are central to his spirit of entrepreneurship.

Most recently, Wajed has developed a new artistic presence and voice in the form of musically inspired paintings. Suffused with unique mark-making and rhythmic movement, examples of these works are in the collections of the Burchfield Penney Art Center and Roswell Park Comprehensive Cancer Center.

Aitina Fareed-Cooke initially pursued Fareed-Cooke in armchaircreative expression in words, and later photography and music, as a means to address the trauma of her early life. She has since become an accomplished Christian hip-hop artist (under the name A.I. The Anomaly) and award-winning photographer and has established her own photography and film company, Get Fokus’d Productions. As a coordinator and educator with various local nonprofit organizations, she has dedicated herself to helping young people claim the power to rewrite their own stories. 

Fareed-Cooke’s original work has been featured at CEPA Gallery, Jamestown Community College, Frank Lloyd Wright's Martin House, Buffalo and Erie County Public Library, and Blue Plate Studio. 

Aaron Ott is the Curator of Public Art at the Albright-Knox. Photo of curator Aaron OttIn this role he aims to create spaces of dialogue where diverse communities have the ability to engage with and respond to great public art. Ott’s curatorial philosophy is grounded in the notion that our shared landscape is abundant with opportunities to create, experience, and talk about notions of beauty, culture, originality, and innovation. 


Exhibition Sponsors

In These Truths has been made possible through the generosity of M&T Bank, Rich’s and Rich Family Foundation, and by a matching gift challenge initiated by the City of Buffalo and Council Member Joel Feroleto.

Additional support is provided by ACME Cabinet Company, Baillie Lumber, Judy and David Beech, Mr. Robert M. Carey, Marion and Philip Henderson, Beatrice Joan Lester, Laura Ryan, Ralph M. Wynn Foundation, and anonymous donors.

The Albright-Knox’s exhibition program is generously supported by The Seymour H. Knox Foundation, Inc.

Albright-Knox Northland Sponsor

Albright-Knox Northland is supported by M&T Bank.

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