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Gifts to the Albright-Knox Art Gallery from A. Conger Goodyear

Publisher

Buffalo Fine Arts Academy, Albright-Knox Art Gallery

Buffalo, New York

Type

Exhibition catalogue

Year

1962

This catalogue was published on the occasion of the exhibition "Gifts to the Albright-Knox Art Gallery from A. Conger Goodyear," which was on view at the Albright-Knox Art Gallery from December 1, 1962, to January 6, 1963.

This publication features an exhibition checklist as well as selected reproductions.

Related Artworks

No image available,
but we're working on it

George Wesley Bellows

Sketch of Anne , 1924

No image available,
but we're working on it

George Wesley Bellows

Irish Town , 1923

No image available,
but we're working on it

George Wesley Bellows

The Old Rascal , 1916

The Crowd — George Wesley Bellows

The Crowd , 1923

No image available,
but we're working on it

John Carroll

Man in Derby Surrounded by Six Nudes , 1944

In this Corner — Robert Riggs

In this Corner , not dated

The Bathers — Augustus John

The Bathers , not dated

Woman Combing Her Hair from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Woman Combing Her Hair from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

The Tinkers — Augustus John

The Tinkers , 1920

Standing Nude Holding Fruit (Pomona) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Standing Nude Holding Fruit (Pomona) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Percy Wyndham Lewis — Augustus John

Percy Wyndham Lewis , 1893

Nude Sleeping (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Nude Sleeping (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Mary Cassatt at the Louvre — Edgar Degas

Mary Cassatt at the Louvre , 1876-1877

Nude Sleeping (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Nude Sleeping (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Reclining Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Reclining Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Torso — Aristide Maillol

Torso , before 1925

A landscape of recently cleared fields and grass covered hills beneath a sunny blue sky filled with white clouds fills this horizontally oriented painting. In the bottom left foreground, a woman holding a basket in her right hand watches as a man thrusts a shovel into the ground. A horse-drawn wagon approaches in the distance, and a child sits in the field toward the right edge of the painting. The entire scene is rendered in individual dots of paint in deep blue, violet, green, orange, and other shades. — Camille Pissarro

Paysans dans les champs, Éragny (Peasants in the Fields, Éragny) , 1890

The Gossips — James McNeill Whistler

The Gossips , 1901

The Strange Visitors — George Wesley Bellows

The Strange Visitors , 1922

Silenus — school of Peter Paul Rubens

Silenus , ca. 1600-1699

Nature Morte aux Trois Anses (Still Life with Three Handles) — Roger de La Fresnaye

Nature Morte aux Trois Anses (Still Life with Three Handles) , ca. 1912

Two female figures in Edwardian attire seated in a Paris café are rendered in faint pencil and washes of red, blue, gold, and brown watercolor paint alongside large swathes of unpainted manila paper. The central character is blonde and faces forward. Her right arm rests across her lap, and her left arm extends across the top of a seating bank. To her right, a dark-haired woman leans in slightly. Behind them, a couple dances and other figures look on, enriching the scene’s leisurely ambiance. — Amedeo Modigliani

Deux Femmes (Two Women) , 1908

This realistic, but minimally detailed sculptural head of a woman is nearly life-sized and sits on a black, square base. Her short neck ending in a slight curve to indicate the shoulder line. Textured plaster and a palette of ivory, peach, ochre, and dark amber enrich feminine features, such as rounded lips and almond-shaped eyes accentuated by dark contours and pale pupils. Slicked-back, bobbed auburn hair and flushed, freckled cheeks, suggest that she is a modern woman of her time. — Ernesto De Fiori

Portrait of the Artist's Wife , 1929

A white man in soldier’s attire stands in the center on this small, vertically oriented drawing in sepia-colored ink. His right leg is bent, and his left hand is pocketed. His claw-like right hand hovers in front of his chest, evoking anxiety. With a smoky pipe in his mouth, he looks over his right shoulder at rooftops and scribbled treetops. In the upper-right, a flag partially eclipses arced clouds. On the left-side of the page, a dark circle and cylinder form a cannon. — Roger de La Fresnaye

L'Artilleur (The Artilleryman) , 1917

A man wearing a rolled-sleeve shirt, pants, clogs, and a hat stands in a field in the foreground of this vertically oriented, sketch-like charcoal drawing on cream-colored paper. In the foreground, a man in a field lends scale and depth to the overall composition. He looks down at the scythe that extends from his left hand, his back bent to soak up the sun. In the distance, faint outlines of a house and a cluster of trees meet the horizon. The artist left the top half of the page empty. — Vincent van Gogh

Man with a Scythe , ca. 1884

Yvonne — Raymond Duchamp-Villon

Yvonne , 1908

Étude pour "La Grande Jatte" (Study for "La Grande Jatte") — Georges Seurat

Étude pour "La Grande Jatte" (Study for "La Grande Jatte") , 1884-1885

Village on the Marne — André Dunoyer de Segonzac

Village on the Marne , ca. 1924-1926

Studies of a Nude Boy — Augustus John

Studies of a Nude Boy , not dated

Walpurgis Night — Augustus John

Walpurgis Night , ca. 1905

Nude Woman Standing III — Augustus John

Nude Woman Standing III , 1916

Nude Woman Standing IV — Augustus John

Nude Woman Standing IV , 1916

Nude Woman Standing I — Augustus John

Nude Woman Standing I , 1916

Nude Woman Standing II — Augustus John

Nude Woman Standing II , 1916

Standing Nude — Augustus John

Standing Nude , not dated

Standing Nude (Leaning on Right Arm) — Augustus John

Standing Nude (Leaning on Right Arm) , not dated

Standing Nude (Arm Behind Back) — Augustus John

Standing Nude (Arm Behind Back) , not dated

Bust of Woman (Study of Chloe Boughton-Leigh) — Gwen John

Bust of Woman (Study of Chloë Boughton-Leigh) , ca. 1910

Caricature of Goschen — Max Beerbohm

Caricature of Goschen , 1896

Lady with Ruff — Michiel van Miereveld

Lady with Ruff , not dated

Mrs. Jacob Epstein — Jacob Epstein

Mrs. Jacob Epstein , 1916

No image available,
but we're working on it

Max Beerbohm

Letter , 1896

Caricature of Chamberlain — Max Beerbohm

Caricature of Chamberlain , 1896

Armistice Night — Muirhead Bone

Armistice Night , 1918

Reclining Woman — Jacob Epstein

Reclining Woman , not dated

Seated Female Nude — Jacob Epstein

Seated Female Nude , not dated

Alistair Crowley in a Trance — Augustus John

Alistair Crowley in a Trance , 1911

An Aran Group — Augustus John

An Aran Group , 1915

Madeleine — Jean-Baptiste-Camille Corot

Madeleine , ca. 1830-1840

Isadora Duncan — André Dunoyer de Segonzac

Isadora Duncan , not dated

Reclining Nude — Charles Despiau

Reclining Nude , not dated

Reclining Nude (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Reclining Nude (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

After the Bath (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

After the Bath (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Seated Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Seated Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

After the Bath (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

After the Bath (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Standing Female Nude from the Back from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Standing Female Nude from the Back from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Crouching Nude from the Back from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Crouching Nude from the Back from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Leda and the Swan from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Leda and the Swan from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Seated Nude (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Seated Nude (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Standing Nude Arranging Hair From Back (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography — Aristide Maillol

Standing Nude Arranging Hair From Back (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

No image available,
but we're working on it

Aristide Maillol

Standing Nude Arranging Hair from the Back (version 2) from the portfolio Aristide Maillol: Sculpture and Lithography , 1925

Odalisque assise à la jupe de tulle (Seated Odalisque in a Tulle Skirt) — Henri Matisse

Odalisque assise à la jupe de tulle (Seated Odalisque in a Tulle Skirt) , 1924

Odalisque debout au plateau de fruits (Standing Odalisque with Tray of Fruit) — Henri Matisse

Odalisque debout au plateau de fruits (Standing Odalisque with Tray of Fruit) , 1924

Le repos du modéle (Model in Repose) — Henri Matisse

Le repos du modéle (Model in Repose) , 1922

Nu assise, vu de dos (Seated Nude, Back Turned) — Henri Matisse

Nu assise, vu de dos (Seated Nude, Back Turned) , 1913

Le grand nu (The Large Nude) — Henri Matisse

Le grand nu (The Large Nude) , 1906

Nude Standing — Henri Matisse

Nude Standing , 1906-1907

L'Idole (The Idol) — Henri Matisse

L'Idole (The Idol) , 1906

Figure de dos au collier noir (Figure from Back with Black Collar) — Henri Matisse

Figure de dos au collier noir (Figure from Back with Black Collar) , 1906

Visage légèrement penché vers la gauche (Face Slightly Leaning to the Left) — Henri Matisse

Visage légèrement penché vers la gauche (Face Slightly Leaning to the Left) , 1913

Les yeux noirs (Black Eyes) — Henri Matisse

Les yeux noirs (Black Eyes) , 1913

Henri Matisse

La lecture, nu de profil (Reading, Nude in Profile) , 1913

The Sower — Jean-François Millet

Le Semeur (The Sower) , 1851 (second state printed 1879 or later)

Mlle Dieterle — Pierre-Auguste Renoir

Mlle Dieterle , 1899

Yvette Guilbert — Henri de Toulouse-Lautrec

Gustave Geffroy

Yvette Guilbert , 1894

No image available,
but we're working on it

Henri de Toulouse-Lautrec

L'Automobiliste , 1898

No image available,
but we're working on it

George Wesley Bellows

Study (Nude No. 1) , 1924

Le Tocsin — Henri de Toulouse-Lautrec

Le Tocsin , 1895

Au Moulin Rouge — Henri de Toulouse-Lautrec

Au Moulin Rouge , 1893

Brandes et le Bardy — Henri de Toulouse-Lautrec

Brandès et LeLoir, dans Cabotins , 1894

Brandes et Leloir, dan Cabotins — Henri de Toulouse-Lautrec

Brandès et Le Bargy, dans Cabotins , 1894

Folies-Bergere: les pudeurs de Monsieur Prudhomme — Henri de Toulouse-Lautrec

Folies-Bergere: les pudeurs de Monsieur Prudhomme , 1893

Chanteur americain — Henri de Toulouse-Lautrec

Chanteur americain , 1893

A l'Opera: Madame Caron dans Faust — Henri de Toulouse-Lautrec

A l'Opera: Madame Caron dans Faust , 1893

Le fou (The Madman) — Henri de Toulouse-Lautrec

Le fou (The Madman) , 1895

Eros vanne — Henri de Toulouse-Lautrec

Eros vanné (Cupid Exhausted) , 1894

No image available,
but we're working on it

George Wesley Bellows

Study (Nude No. 2) , 1924

Au Bar Picton (American Bar) rue Scribe — Henri de Toulouse-Lautrec

Au Bar Picton (American Bar) rue Scribe , 1896

Petite fille anglaise (Miss Dolly) — Henri de Toulouse-Lautrec

Petite fille anglaise (Miss Dolly) , 1899

Repetition Generale (Dress Rehearsal) aux Follies Bergere — Henri de Toulouse-Lautrec

Repetition Generale (Dress Rehearsal) aux Follies Bergere , 1893

De ti fellow - Anglaise au cafe - concert — Henri de Toulouse-Lautrec

De ti fellow - Anglaise au cafe - concert , 1898

Au Hanneton — Henri de Toulouse-Lautrec

Au Hanneton (At the Hanneton) , 1898

Lugne-Poe dans L'Image — Henri de Toulouse-Lautrec

Lugne-Poe dans L'Image , 1894

Lugne-Poe et Baldy — Henri de Toulouse-Lautrec

Lugné-Poé et Bady dans Au-dessus des Forces Humaines , 1894

Canteuse legere (Cabaret Singer) — Henri de Toulouse-Lautrec

Canteuse legere (Cabaret Singer) , 1898

Aux Varietes: Mademoiselle Lender et Brasseur — Henri de Toulouse-Lautrec

Aux Varietes: Mademoiselle Lender et Brasseur , 1893

No image available,
but we're working on it

George Wesley Bellows

Study (Nude No. 3) , 1924

Program for L'Argent — Henri de Toulouse-Lautrec

Programme pour "L'Argent" (Program for "L'Argent") , 1895

Judic — Henri de Toulouse-Lautrec

Judic , 1894

Le poney Philibert — Henri de Toulouse-Lautrec

Le poney Philibert , 1898

La Tige - Moulin Rouge — Henri de Toulouse-Lautrec

La Tige - Moulin Rouge , 1894

Le coiffeur — Henri de Toulouse-Lautrec

Le coiffeur , 1893

Carnot malade — Henri de Toulouse-Lautrec

Carnot malade , 1893

Segasse (Wisdom) — Henri de Toulouse-Lautrec

Sagesse (Wisdom) , 1893

Edmee Lescot (as a Spanish Dancer) — Henri de Toulouse-Lautrec

Edmee Lescot (as a Spanish Dancer) , 1893

En quarante — Henri de Toulouse-Lautrec

En quarante , 1893

Isadora Duncan Dancing — André Dunoyer de Segonzac

Isadora Duncan Dancing , not dated

The Letter: Bois le Prêtre from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

The Letter: Bois le Prêtre from the series Nine Drawings Made at the Front, World War I , 1915

No image available,
but we're working on it

André Dunoyer de Segonzac

Man with a Sack from the series Nine Drawings Made at the Front, World War I , 1916

No image available,
but we're working on it

André Dunoyer de Segonzac

Seated Soldier Eating from the series Nine Drawings Made at the Front, World War I , 1916

Man with Hands in Pockets from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Man with Hands in Pockets from the series Nine Drawings Made at the Front, World War I , 1916

Sergeant Major (Un Feldwebel) from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Sergeant Major (Un Feldwebel) from the series Nine Drawings Made at the Front, World War I , 1916

Un Artilleur from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Un Artilleur from the series Nine Drawings Made at the Front, World War I , 1916

Les Totos from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Les Totos from the series Nine Drawings Made at the Front, World War I , 1916

Curlu from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Curlu from the series Nine Drawings Made at the Front, World War I , 1916

Cannon: St. Aubin from the series Nine Drawings Made at the Front, World War I — André Dunoyer de Segonzac

Cannon: St. Aubin from the series Nine Drawings Made at the Front, World War I , 1916

Head of a Man — Jacques Villon

Head of a Man , 1923

Woman Reading — Paul Klee

Woman Reading , 1906

Figure dans un intérieur (Figure in an Interior) — Henri Matisse

Figure dans un intérieur (Figure in an Interior) , 1925

Nude Standing — Alfred Henry Maurer

Nude Standing , not dated

Amedeo Modigliani

Profile of a Girl , 1916-1917

Negro — Abraham S. Baylinson

Negro , 1929

Sculptor at Work — Ivan Meštrović

Sculptor at Work , 1925

L'Hymne Interieur — Emile Antoine Bourdelle

L'Hymne Interieur , not dated

Susannah — Frank Dobson

Susannah , ca. 1923 (cast executed ca. 1924)

Delicate marks in black ink and watercolor fill this white paper. Slightly to the left of the center is a square road sign with a white, left-facing arrow on a black background. The imagery surrounding this sign fluctuates between abstract and representational. Fragmented symbols, beams, and pipes emerge from planar surfaces and angular contours. Multiple repetitive lines and angles evoke movement, suggesting an industrial environment, such as a railroad crossing. — Fernand Léger

La Flèche (The Arrow) , 1919

Study of a Girl — Jules Pascin

Study of a Girl , not dated

This drawing of a still life depicts in pencil depicts a collection of everyday objects on a table top. At the foreground is a rumbled piece of cloth on which sits a mostly full glass of water and an overturned spoon. Behind and to the left are a bowl with two lemon halves, a paper bag, and a bottle filled with a dark liquid and topped by a funnel. The outer edges of the paper are a faded yellow; the artist’s signature appears in the lower righthand corner. — Diego Rivera

Still Life IV , 1918

A cropped view of a group of buildings clustered together against a blank white background fills this black and white, horizontally oriented drawing. In the lower left corner, a low, dark-colored building connects to a fence running across the bottom of the image. The fence extends to the right-hand side where the artist has placed his signature. In the midground is the partial view of three larger buildings in various shades of light grey. — Charles Sheeler

Barns (Fence in Foreground) , 1917

Mother and Child — Ben Shahn

Mother and Child , ca. 1950

Arabs — Ben Shahn

Arabs , not dated

In the middle of this black and white, horizontally oriented pencil drawing six figures struggle to push a sailboat into a stormy sea while a seventh figure in the rear of the boat holds the tiller. A large white mass of mist swirls along the right side of the paper. In the lower left corner, two figures on the shore are pummeled by the wind, and in the lower right corner, four figures huddle against the weather. The female figure closest to the boat from this group appears to be calling out to it. — George Wesley Bellows

Allan Donn Puts to Sea , not dated

Mother — George Wesley Bellows

Mother , ca. 1920

Girl — Odilon Redon

Girl , ca. 1900-1905

No image available,
but we're working on it

William Orpen

The Troubling of the N.E.A.C. , not dated

My Wife and I — Prince Troubetzkoy

My Wife and I , not dated

Bringing Home the Newborn Calf — Jean-François Millet

Bringing Home the Newborn Calf , ca. 1860

No image available,
but we're working on it

David Zak

Woman and Child , not dated

Abstract shapes resembling the outline of two buildings or sculptural forms fill this vertically oriented, shallow relief sculpture. Various rectangles curve around a central oval, which is surrounded by a solid red rectangle in the upper portion of the work. More curved rectangles with white, black, and orange sections, hover above a leaning triangular base in the lower portion of the work. — John Ferren

Composition , 1936

Greek Dancer — Auguste Rodin

Greek Dancer , ca. 1890

Dawn — Auguste Rodin

Dawn , not dated

Woman in a Bonnet — Georges Rouault

Woman in a Bonnet , 1907

Landscape with Trees — André Dunoyer de Segonzac

Landscape with Trees , not dated

Landscape with Church Steeple — André Dunoyer de Segonzac

Landscape with Church Steeple , not dated

The rough contours of a steamboat are silhouetted against a stretch of river that spans this horizontally oriented drawing. Segments of land are visible in the bottom-left corner and in the background. What appear to be smokestacks from factory arise from the landscape on the far shore. The artist emphasized the rough texture of the paper in largely covering it with black crayon. — Georges Seurat

Le bateau à vapeur (Steamboat) , 1882-1883

Femme retroussant sa chemise (Woman Lifting Her Chemise) — Henri de Toulouse-Lautrec

Femme retroussant sa chemise (Woman Lifting Her Chemise) , 1901

Le Village dans la forêt (The Village in the Forest) — Fernand Léger

Le Village dans la forêt (The Village in the Forest) , 1914

Moine italien assis, lisant (Seated Italian Monk Reading) — Jean-Baptiste-Camille Corot

Moine italien assis, lisant (Seated Italian Monk Reading) , ca. 1827

Une salle d'attente (The Waiting Room) — Honoré Daumier

Une salle d'attente (The Waiting Room) , 1850-1853

Degas à la redingote noire (Self-Portrait) — Edgar Degas

Degas à la redingote noire (Self-Portrait) , ca. 1854-1855

At center, a woman holds the hand of a small child, helping her up a set of stairs. The woman carries a bundle of laundry under her left arm, and both figures are dressed in what appears to be clothing typical of the mid-nineteenth century working class, although the dark, muted colors and sketchy brushwork make it difficult to make out detail. The brightly lit outlines of a city landscape cast the shadowy figures in strong relief. — Honoré Daumier

Une laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou) , ca. 1860

Luncheon in the Park — George Wesley Bellows

Luncheon in the Park , ca. 1913

The Boats — André Gustave Beaudin

The Boats , 1949

Shops — Lyonel Feininger

Shops , 1918

Boris — Juan Gris

Boris , 1921

Marcelle la Blonde — Juan Gris

Marcelle la Blonde , 1921

Cows Descending — Ernst Ludwig Kirchner

Cows Descending , 1917

Portrait of a Woman — Ernst Ludwig Kirchner

Portrait of a Woman , not dated

Seiltänzer (Tightrope Walker) — Paul Klee

Seiltänzer (Tightrope Walker) , 1923

Die Hese mit dem Kamm (The Witch with the Comb) — Paul Klee

Die Hese mit dem Kamm (The Witch with the Comb) , 1922

Illustration for Bach — Oskar Kokoschka

Illustration for Bach , ca. 1914-1915

Portrait of a Woman — Oskar Kokoschka

Portrait of a Woman , not dated

Self Portrait — Oskar Kokoschka

Self Portrait , ca. 1914

Self Portrait from Day and Dream — Max Beckmann

Self Portrait from Day and Dream , ca. 1946

New Infants — Käthe Kollwitz

New Infants , ca. 1926

Self Portrait — Käthe Kollwitz

Self Portrait , 1921

Mary and Elizabeth — Käthe Kollwitz

Mary and Elizabeth , ca. 1928

Fernand Léger

Composition with Profile , 1948

Mother and Child — Wilhelm Lehmbruck

Mother and Child , not dated

Woman Putting on her Shoe — Aristide Maillol

Woman Putting on her Shoe , not dated

No image available,
but we're working on it

André Masson

Crouching Woman , not dated

Four Red Cows — Ewald Mataré

Four Red Cows , ca. 1925

Haïtienne (Haitian) — Henri Matisse

Haïtienne (Haitian) , 1945

Figure and Bird — Joan Miró

Figure and Bird , 1948

Job — Georges Braque

Job , 1911

Self Portrait with Mrs. Nolde — Emil Nolde

Self Portrait with Mrs. Nolde , not dated

Siberian Landowners — Emil Nolde

Siberian Landowners , ca. 1918

No image available,
but we're working on it

Pablo Picasso

Three Standing Nudes with Sketches of Heads on the Right , 1927-1928

No image available,
but we're working on it

Pablo Picasso

Head of A Woman (No. 2 from the series Saltimbanques) , 1905

Interior with Red Curtains — John Piper

Interior with Red Curtains , 1948

Mother and Child — Pierre-Auguste Renoir

Mother and Child , 1912

Portrait of Rodin — Pierre-Auguste Renoir

Portrait of Rodin , 1910

No image available,
but we're working on it

Georges Rouault

Des Ongles et du bec (With Tooth and Nail) , 1926

The Bay of Departed — Georges Rouault

The Bay of Departed , 1939

Tightrope Walker — Jacques Villon

Tightrope Walker , 1913

Persepina — Georges Braque

Persepina , 1947

Morning — Jules Pascin

Morning , not dated

La Passagere du 54 — Henri de Toulouse-Lautrec

La Passagere du 54 , 1896

Village Prayer Meeting, No. 2 — George Wesley Bellows

Village Prayer Meeting, No. 2 , 1916

Reclining Nude (Femme au bord de la mer) — Pablo Picasso

Reclining Nude (Femme au bord de la mer) , 1924

The Reading (La Lecture) — Pablo Picasso

The Reading (La Lecture) , 1926

Jane Avril — Henri de Toulouse-Lautrec

Jane Avril , 1893

Preliminaries (To the Big Bout) — George Wesley Bellows

Preliminaries (To the Big Bout) , 1916

No image available,
but we're working on it

George Wesley Bellows

Reducing , 1921

Illustration from Hesiod's Theogony (Théogonie d’Hésiode) — Georges Braque

Illustration from Hesiod's Theogony (Théogonie d’Hésiode) , 1932

Self Portrait — Paul Cézanne

Self Portrait , ca. 1898-1900

Dead Souls (Illustration for Gogol) — Marc Chagall

Dead Souls (Illustration for Gogol) , not dated

Landscape — André Derain

Landscape , not dated

Vase of Flowers — André Derain

Vase of Flowers , 1940

No image available,
but we're working on it

Emil Ganso

Nude , not dated

Two Men at Dinner (Bistro) — Adolf Dehn

Two Men at Dinner (Bistro) , 1928

Ladies of the Evening (We Speak English) — Adolf Dehn

Ladies of the Evening (We Speak English) , not dated

L'Épopée — Emile Antoine Bourdelle

L'Épopée
, not dated

Requiem — José Clemente Orozco

Requiem , not dated

The Flag — José Clemente Orozco

The Flag , not dated

Le Morte du cygne — Emile Antoine Bourdelle

Le Morte du cygne , 1925

Nude and Landscape — Arthur Bowen Davies

Nude and Landscape , not dated

Lunch Counter — Jules Pascin

Lunch Counter , not dated

Two Girls — Jules Pascin

Two Girls , not dated

Jean — George Wesley Bellows

Jean , ca. 1920

Andromeda — Salvador Dalí

Andromeda , 1930

Woman Gathering Sticks — Augustus John

Woman Gathering Sticks , 1906

Nude Woman (Seated) — Georg Kolbe

Nude Woman (Seated) , not dated

Nude Standing — Aristide Maillol

Nude Standing , not dated

Tête de femme (Head of a Woman) — Henri Matisse

Tête de femme (Head of a Woman) , 1919

Reclining Nude — Amedeo Modigliani

Reclining Nude , ca. 1919

Nude Woman — Jules Pascin

Nude Woman , ca. 1926

Reclining Nude — André Dunoyer de Segonzac

Reclining Nude , not dated

Barns — Charles Sheeler

Barns , 1917

Nude Kneeling — Eugene Edward Speicher

Nude Kneeling , not dated

Bali Boy — Maurice Sterne

Bali Boy , 1913

Landscape with Trees — André Dunoyer de Segonzac

Landscape with Trees , not dated