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Paysans dans les champs, Éragny (Peasants in the Fields, Éragny)

Public Domain

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Public Domain

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Public Domain

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Camille Pissarro

French, born Saint Thomas, 1830-1903

Paysans dans les champs, Éragny (Peasants in the Fields, Éragny), 1890

oil on canvas

support: 25 3/8 x 31 5/8 inches (64.45 x 80.33 cm); framed: 33 15/16 x 40 3/8 x 4 5/8 inches (86.2 x 102.55 x 11.75 cm)

Collection Albright-Knox Art Gallery, Buffalo, New York

Gift of A. Conger Goodyear, 1940

1940:20

Currently On View

More Details

Inscriptions

signature, dated / lower right / C. Pissarro, 1890

Provenance

October 18, 1890, purchased from the artist by Boussod, Valadon & Cie, Paris;
January 22, 1892, to Desmond Fitzgerald [1846-1926], Brookline, Massachusetts;
April 1927, sold at the Fitzgerald estate sale, American Art Association, New York, April 21-22, 1927, lot no. 191, to A. Conger Goodyear [1877-1964], New York, for $3,000;
November 22, 1940, donated by Goodyear to the Albright Art Gallery, Buffalo.

Class

Paintings (visual works)

Work Type

Oil painting (visual work)

This information may change due to ongoing research. Glossary of Terms

Later in his career, Camille Pissarro was deeply affected by Georges Seurat’s theories and techniques. The two first met in 1885, and the influence between them was mutual. Peasants in the Fields, Éragny demonstrates Pissarro’s brief experimentation with Pointillism, which Seurat helped to develop. Artists using this technique cover their canvases in distinct dots of color, rather than in large patches of paint, to create an image that visually coheres at a distance. In 1884 Pissarro purchased a country home in Éragny, northwest of Paris. He often painted the surrounding area, focusing on the subject of rural life. In this work, Pissarro conscientiously applied each mark of paint, creating shadows using deep blue, violet, green, and orange. This simple scene, reminiscent of his earlier works from Montfoucault, is warmed by sentiment for his subject matter as much as the sunshine Pissarro so vividly suggests.

Label from Humble and Human: An Exhibition in Honor of Ralph C. Wilson, Jr., February 2–May 26, 2019

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