Each Wednesday this month we're highlighting five women artists with works in our collection. This week we focus on artists whose works are included in our current exhibition We the People: New Art from the Collection.

In honor of Black History Month, we’re celebrating works by African American artists, including Kevin Beasley's Untitled (hollow), 2016, which is currently on view in We the People: New Art from the Collection.

In honor of Black History Month, we’re celebrating works by African American artists, including Samuel Levi Jones's Elements, 2018, which is currently on view in We the People: New Art from the Collection.

In honor of Black History Month, we’re celebrating works by African American artists, including Rashid Johnson's Falling Man, 2015, which is currently on view in We the People: New Art from the Collection.

In honor of Black History Month, we’re celebrating works by African American artists, including Theaster Gates's Civil Tapestry 5, 2012, which is currently on view in We the People: New Art from the Collection.

As part of We the People: New Art from the Collection, the Albright-Knox asked members of the community for their thoughts on works in the exhibition. Morgan Law chose Dan Halter’s Rifugiato Mappa del Mondo (Refugee Map of the World).

Karima Amin, storyteller and founder/director of Prisoners Are People Too, Inc., reflects on Hank Willis Thomas’s We The People. 

This first solo museum presentation of Aria Dean’s work includes three videos that explore how blackness is constructed through the repetition and circulation of its representations. Dean will discuss her works at the AK on January 10.

Yuji Agematsu’s zip: 01.01.06 . . . 06.30.06 is an unconventional portrait of a very specific time and place: January 1 through June 30, 2006, in New York.

Educator Ebony Pope reflects on Njideka Akunyili Crosby’s “The Beautyful Ones” Series #5.

Chuck Tingley and Matt Grote's weego celebrates nostalgia for cartoons, video games, and other imaginative preoccupations of youth.

With Loud Tactile Painting, Yaacov Agam aimed to disrupt the traditional rules of the art museum.